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Dan Owen reviews

DAN'S   MOVIE   DIGEST

2 0 0 7 R e t r o s p e c t i v e

P a r t   T w o

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APRIL

Just before the summer season got underway, a few films dipped their toes in the water. Sunshine was an impressive Danny Boyle-directed sci-fi drama about astronauts reigniting the sun, which got some great reviews but little fanfare. The staggered release around the world was also unfortunate, and the quality-shift in Act III didn't help word-of-mouth buzz either. A great DVD, though, and one of the year's most underrated films.

Blades Of Glory was Will Ferrell star in - yep, you guessed it, another sports comedy. This time he was a pro-skater alongside Jon Heder in what was a disappointing, but occasionally quite fun, time-waster.

Something far from fun was Wild Hogs, with a nauseating mix of middle-aged actors (Martin Lawrence, John Travolta, Tim Allen… and William H. Macy!) stuck in a god-awful biking movie. Woeful. But, again, oddly successful. There really was no accounting for taste in 2007!

Next up was, erm, Next – Nicolas Cage's second folly of the year after Ghost Rider. Now he's a Vegas magician who can see a few minutes into the future. Great idea (based on a Philip K. Dick story, see?) but bland and boring execution. Well, okay, some of the action sequences are good fun, but that's about it. Seriously, when THAT final twist comes … you'll want to snap the DVD in half.

While Hot Fuzz enjoyed huge success and good distribution, another UK film called This Is England faced an uphill struggle. This '80s-set drama about teenaged skinheads earned some great reviews and minor campaigns sprouted to get it into the multiplexes, but it seemed people would rather watch Wild Hogs.


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MAY

Summer begins with a bit of a cheat in Bridge To Terabithia, a lovely family-film with some great performances and choking twist in its tale, but its marketing as a Narnia-style adventure was just ridiculous. I hope too many people didn't feel cheated when the realizes it's actually a very simple, heartfelt, family film.

2007 was known as "The Year Of The Threequels" and Spider-Man 3 set the ball rolling on that timely phenomenon. After the blockbusting antics of its predecessors and critical respect for Spider-Man 2, everyone was primed for more greatness from Sam Raimi. But, while still enjoyable in parts, Spider-Man 3 was a bloated, unfocused mess. Sure, it's fun to watch at the time, but it fades from memory very quickly.

With Danny Boyle off in space, the sequel to his surprise horror hit 28 Days Later (cleverly titled 28 Weeks Later), was similarly misread by the public. On a wave of impressed reviews, it did mild business and the studio said they'd only pursue plans for a third movie (28 Months Later) if Weeks sold well on DVD.

Creating a triptych of magician-themed movies (after Prestige and Illusionist), UK comedy Magicians crashed-and-burned at the box-office. This low-budget comedy was the brainchild of the writing/acting talent behind hilarious sitcom Peep Show, but everyone was left stone-faced by the plodding direction, unremarkable jokes and thin storyline.

The year's best thriller was probably David Fincher's Zodiac, based on the true life case of the Zodiac Killer, who stalked San Francisco back in the 1970s. It was an accomplished and dramatic film that just didn't really fit into the summer schedule, and therefore flopped on both sides of the Atlantic.

One film that certainly didn't flop was seafaring fantasy sequel Pirates Of The Caribbean: At World's End, which dominated the summer chart and became the year's biggest grossing film. It's the fifth most successful film ever made, too. Audiences obviously love Gore Verbinski's everything-and-the-kitchen-sink approach to adventure, while Johnny Depp certainly has his fans. Reviews were very mixed, but it seems most people just wanted to see how the adventure ended -- with the promise (threat?) of a fourth film, if you don't know.


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JUNE

A bad horror remake is just what you don't want in summer, so along comes The Hitcher to stink up cinemas, starring Sean Bean. The original was a low-budget cult classic from the 80s, and a remake could have worked - but it didn’t.

More successful was Fantastic Four: Rise Of The Silver Surfer, which improved on the widely-derided first effort, but was still considered a weak movie overall. Audiences found it an engaging trip to the cinema, but the only thing of note was the brilliant CGI to create the Silver Surfer character.

Another month, another threequel; this time with George Clooney and his celebrity co-stars trying to apologized for Ocean's 12 with Ocean's 13. It wasn't awful, but the magic's wearing pretty thin now, guys.

Something else wearing thin was tolerance for Eli Roth, who chose to follow-up his surprise hit Hostel with… Hostel: Part II. More of the same, but gorier. To be fair, there were some interesting new avenues explored, but audiences weren't quite so willing to queue up for more "torture porn".

One thing they did queue up for was Shrek The Third, which was universally critiqued as being the worst of the Shrek trilogy, but still had kids and parents desperate to see for themselves. It's not unwatchable, but it's noticeably shoddy compared to the others.

2007 Retrospective Part One - 2007 Retrospective Part Three - 2007 Retrospective Part Four -

Page Content copyright © Dan Owen, 2008.

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The following is a list of Dan's Movie Digests online :

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