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Dan Owen reviews

DAN'S   MOVIE   DIGEST

2 0 0 7 R e t r o s p e c t i v e

P a r t   T h r e e

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JULY

With the summer in full-swing, Bruce Willis "did a Stallone" by resurrecting his most famous character, John McClane, for another Die Hard film. Entitled Die Hard 4.0 internationally (but the cumbersome Live Free Or Die Hard in the States), this was a serviceable actioner that didn't tarnish the Die Hard brand too badly, but it was unfortunately neutered by certificate restraints. Get the unrated DVD if you can. But even then, you'll never beat the original.

He seems to alternate between the summer and winter box-office periods, but Harry Potter returned to cinemas with The Order Of The Phoenix in July. The fifth film and (most say) worst book. While it improves on repeated viewing, Phoenix was certainly more talky and lacking in thrills compared to earlier instalments. All set-up for the much-improved sixth and seventh books.

It was quite a good year for musicals, and Hairspray was the under-the-radar hit nobody quite expected. John Travolta partially redeemed himself for Wild Hogs by dressing as a piggy woman and who doesn't love seeing Christopher Walken dance around?

The best marketing campaign of the year was undoubtedly for The Simpsons Movie, with fake Kwiki-Marts, the ability to "Simpsonize" your photos online, and a big film competition for a real-life Springfield to get the world premiere. Even fans helped spread the word in interesting ways, like some guys creating a giant Homer "chalk-man" on an English hillside. The film itself? Not too bad. The best episode in years, stretched to film-length, as we all expected. Yes, it could have been much worse… but I'm sure a Simpsons film circa 1996 would have rivalled some comedy classics.

The goliath of Transformers blasted up UK cinemas in July, with Michael Bay's loud spectacle causing twentysomething fanboys and kids to get all excited. The reviews were mixed, with the film being ripped apart and hailed in equal measure. Of course, it was a load of overblown tosh, but the visuals were genuinely enthralling (if you can keep up with the hyperactive editing), Shia LeBeouf proved he has star quality and Megan Fox was easy on the eye.


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AUGUST

How apt that a film about a disaster would prove to be just that. Expensive Evan Almighty, a sequel to Jim Carrey's Bruce Almighty, splashed and drowned at the box-office everywhere. The idea sounded fun (a comedy update of Noah's Ark), Morgan Freeman was back as God, and Steve Carrell has a good track record in comedies (Anchorman, 40 Year Old Virgin, The Office). So what went wrong? Oh yeah. It wasn't very funny.

The weakest threequel arrived in the listless shape of Rush Hour 3, which somehow did respectable business despite a critical thrashing. People are their own worse enemies.

Surf's Up was also the weakest of this year's CGI animations; a tale of surfing penguins that seemed to be trying to surf Happy Feet's wave. But penguins are so 2006, man.

Fortunately, the year's best threequel arrives in the lithe shape of The Bourne Ultimatum, with Matt Damon back as amnesiac ass-kicker Jason Bourne. The poor sod is still looking for answers (even though everyone watching thinks it's pretty clear – you're a top assassin for the US government, dummy!) No matter. Paul Greengrass caught lightning twice in his depiction of all the slick fights, tense chases and nail-biting drama. A fast, furious, intelligent slice of action.

Sleeper hit Knocked Up finally rocked up in the UK, having blitzed the US a little earlier in the summer. It proved to be very successful here, too – with audiences lapping up the well-judged mix of low-brow guffaws and high-brow laughs. The best rom-com in a long time, and nice to see a comedy actually tell a story for once.

John Cusack's an interesting actor, but 1408 didn't quite hit as big as I'd hoped. This adaptation of a Stephen King story has a great, simple premise (paranormal debunker spends a night in a very haunted motel room). Unfortunately, the unsettling scares later give way to OTT silliness… but it can still be considered a good effort.


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SEPTEMBER

Heading into Autumn, an early Oscar-contender for 2008 was released in the shape of Atonement, the wartime adaptation of a popular novel, starring Keira Knightley (out to prove she's more than a pirating tough-nut) and James McAvoy (having a great year, following The Last King Of Scotland). The film seemed to be a good antidote to the summer fare, spending weeks at the top of the UK chart.

Joining Atonement in almost parallel success was Simon Pegg comedy Run, Fat Boy, Run. This rom-com set in the world of amateur marathon running was a surprise hit for director David Schwimmer (Ross in Friends) and proved that, post-Fuzz, Pegg has been taken to British hearts. The film itself? Mediocre.

The latter half of 2007 saw a resurgence in the Western genre; first with 3:10 To Yuma, starring Christian Bale and Russell Crowe, which peaked early in the UK and slipped considerably. But still, it did very well in the US and proved there's still some fondness for heterosexual cowboys post-Brokeback Mountain.

A big disappointment, in terms of success anyway, was Clive Owen actioner Shoot 'Em Up, which just wasn't marketed very strongly following its failure in the US. Still, it s a brainless, high-octane barrel of fun which should do well on DVD and become a cult hit.

Following up Knocked Up was Seth Rogen and Judd Apatow, both involved in Superbad. This was cleverly sold on the back of Knocked Up's success in the US and UK, and months of hype online helped make it a hit -- despite slightly underperforming because of such epic expectations.

On the opposite end of appraisal from most people was I Now Pronounce You Chuck And Larry, the new Adam Sandler comedy that received mostly negative reviews because of its offensive gay stereotypes. Audiences were more forgiving, and made it a modest hit.

The biggest casualty of 2007 was undoubtedly Grindhouse, a double-bill "film experience" from directing friends Robert Rodriguez and Quentin Tarantino. Two films for the price of one, both inspired by the exploitative, violent, cheap n' nasty flicks of the 1970s. The project bombed in the US and forced the studio to cut their losses, re-edit both films, push Tarantino's Death Proof into Cannes for some quick praise, before throwing it into UK cinemas and hoping for the best. It failed. Death Proof, about a serial killer stuntman (Kurt Russell) tanked in the UK and capped Tarantino's worst year in film.

Another gritty film was The Brave One, which wasn't much of a hit, but was interesting enough for being a Jodie Foster female-version of Death Wish.

Having righted some wrongs with his Ocean's franchise, George Clooney made a bid for awards glory in 2008 with Michael Clayton. This law thriller generated a bit of buzz from critics, directed by scribe Tony Gilroy (the Bourne films), although its box-office success didn't reflect the plaudits.

2007 Retrospective Part One - 2007 Retrospective Part Two - 2007 Retrospective Part Four

Page Content copyright © Dan Owen, 2008.

Email Dan Owen

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The following is a list of Dan's Movie Digests online :

DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and played through a Sony STR-DB930 amplifier.

PC games reviewed by the editor are on:

  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP