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Dan Owen reviews

DAN'S   MOVIE   DIGEST

2 0 0 5 R e t r o s p e c t i v e

P a r t   O n e

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JANUARY

The year began on a satirical note with Trey Parker and Matt Stone's cult hit Team America: World Police. The movie wasn't the expected South Park sized success, although it certainly proved to be a refreshingly original splicing of adult humour and Thunderbirds-style puppetry.

Elsewhere, Oliver Stone's potentially Oscar-baiitng Alexander proved to be a huge dud at the box office, marred by an edit that toned down the titular character's legendary debauchery and bisexuality.

Closer, with its stellar cast of actors actually given a decent script to sink their teeth into, became a deserved hit, but again missed out on picking up Mr Oscar. Still, it was amazing to be reminded how great Natalie Portman can be when not directed by George Lucas, and Clive Owen continued to confirm his post-Croupier hot property label.

FEBRUARY

Bill Murray had a good year, following on from last year's Lost In Translation, he returned for another movie with Wes Anderson in The Life Aquatic With Steve Zissou. Murray took the lead (for the first time in Anderson movie after supporting roles in Rushmore and The Royal Tenenbaums) and relished every moment. The movie itself was a charming sea-faring fantasy with plenty to recommend, but proved a little too left-field for most audiences.

On a more crowd-pleasing note, Constantine became the post-Matrix movie for Keanu Reeves. Despite deviations from the original source material (the occult protagonist is actually a blonde Brit), Constantine managed to avoid failure thanks to some interesting visuals and some brilliantly realized gimmicks (puddle + cat = gateway to hell). Don't bet on a sequel, though...


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MARCH

The Machinist wasn't a massive success, but proved Christian Bale as one of the most dedicated actors currently working. The weight loss he underwent to star as the insomniac lead in this intelligent thriller was staggering, and the fact he piled on the muscle to play Batman straight after is all the more amazing. Great movie too!

APRIL

Few movies have a production history as long and complicated as Douglas Adams' The Hitchhiker's Guide To The Galaxy.

First a radio series, then a series of books, then a classic BBC TV series, and now a Hollywood movie. In the end, just a few years after Adams' sad death, the movie was the dictionary definition of "mixed bag". The visuals were generally fun and interesting, the creature effects were great, but the plot was convoluted and too saggy for a movie, while the casting ranged from dependable (Sam Rockwell), to disappointing (Martin Freeman. One last thing: so did they ever deliver that gun to John Malkovich?)

Disappointing sequels don't come much more disappointing than Be Cool, the John Travolta starring sequel to Get Shorty. A great cast (Uma Thurman, et al) couldn't hide the cracks in this altogether mediocre second outing for Chili Palmer as he joins the music biz.

Forget what I wrote above about Be Cool, the year's worst sequel was surely The Ring 2. Same actors, same writer, the director of the original (some say scarier) Japanese movie... and it all equalled the most turgid waste of time for any horror fan. Save for a few jumps, Ring 2 disappoints in almost every way and reduces the ghostly Samara to just another rent-a-spook.

It may not have had mass appeal, but The League Of Gentlemen's Apocalypse was a decent big-screen outing for the Brtish comedy-horror troupe. Still, there wasn't enough Royston Vasey for longtime fans of the series, and it proved too bewildering for anyone not familiar with the BBC series. An entertaining oddity that quite rightly tried to give fans something different... but unfortunately forgot to include the elements of the TV series fans particularly enjoyed.

The best comic-book movie of the year is a close fought contest between a billionairre who likes to dress as a flying rodent and Sin City. Sin City? You'll never forget it once you see it. A superb trawl through the dingy streets of (Ba)sin City in four vignettes packed with acerbic humour, decapitations, multilations, brawling, shooting, torture, cannibalism and a yellow-skinned paedophile. Robert Rodriguez gave us his best film... er, ever... and showed George Lucas how to shoot a film using 95% greenscreen.


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MAY

There have been plenty of memorable scenes and some stunning special-effects along the way, but it's generally agreed that George Lucas' Star Wars prequels have been damp squibs. However, thankfully, Star Wars Episode III: Revenge Of The Sith managed to slightly buck the trend. Yes, it remains woefully scripted and containing enough duff scenes to sink key moments (one word: NOOOOO!), but Episode III was destined to rise above its predecessors thanks to its greater cohesion with the original (better) trilogy and the iconic creation of cinema's greatest sci-fi villain - Darth Vader.

It wasn't a good year for the epic movie. Back in 2000, Ridley Scott resurrected the genre with the fabulous Gladiator, but with last year's Troy proving disappointing, many thought Scott would remind everyone how it's done with Kingdom Of Heaven. Many thought wrong. As beautiful as the movie is, what sinks Kingdom Of Heaven is a storyline without much direction and the casting of Orlando Bloom (too young and goodlooking to ever be realistic in this plot).

JUNE

The real life sexual activity of Brad Pitt and Angelina Jolie overshadowed just how entertaining and fun Mr & Mrs Smith actually was, unfortunately. Still, in a plot that merged The War Of The Roses with True Lies (in fact, this is that movies sequel in some respects), Mr & Mrs Smith is just good popcorn entertainment.

Paris Hilton dies. In House Of Wax. Audiences watch. Audiences applaud. Horror fans discuss the remake's parallels to the original movie. Everyone else punches the air when Paris Hilton dies and mutter "is she the bird out of 24?" in cinemas the world over.

In 1997 the Batman franchise died with Joel Schumacher's abomination. Now, seven years later, we go "bat to basics" with Batman Begins. In comes an acclaimed director (Christopher Nolan), a rising new star (Christian Bale), a stellar supporting cast (Caine, Freeman, Neeson) and the expected special-effects excellence. More importantly, in comes a story that treats the Batman legend with the respect it deserves.

In one movie, the four previous entries look like dry runs, Adam West looks even more ridiculous... and the world awaits the return of The Joker with bated breath. Take that Spider-Man!

2005 Retrospective Part Two

Page Content copyright © Dan Owen, 2005.

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The following is a list of Dan's Movie Digests online :

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