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Paul Greenwood reviews

Harry Potter and the Chamber of Secrets

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OK, I'll admit it - I used to be a Potter sceptic. It wasn't until the release of the fourth book and its attendant fuss that I went back and started reading them. When I did start, I couldn't stop and read all four within a few days, such was the fun and excitement they contained.

Which is why I was so disappointed in the first film. It stayed faithful to the book, yes, but perversely that was its biggest flaw. You only have to look at the brilliance of The Lord of the Rings to see what can be achieved by some judicious trimming and tinkering in order to make something cinematic. What the Philosopher's Stone lacked, most frustratingly, was magic. It was a plodding, occasionally lifeless affair from a director who is the very definition of harmless family fun. All fears pointed to the Chamber of Secrets being more of the same.

Mercifully, It's been improved upon in almost every imaginable way. What was merely a collection of episodes is now a cohesive narrative. What was endless introduction and exposition is now a non-stop action extravaganza. What were some of the dodgiest big budget special effects seen in a long time now give Lucas and Jackson something to think about. And, most importantly, what was the movie magic equivalent of an evening with Paul Daniels is now filled to the brim with imagination and style.

It's now second year for boy wizard Harry Potter and his friends at Hogwarts School of Witchcraft and Wizardry. But before Harry can get there, he has to escape the clutches of his loathsome adoptive family, the Dursleys, as well as the attentions of Dobby, a mysterious elf, who warns him not to return to Hogwarts. But return he does (in a flying car, obviously) to find that students are being petrified alive by an unknown force and strange messages are being daubed in blood on the school walls. A terrible creature has been stirred in the Chamber of Secrets and the finger of suspicion is soon being pointed at Harry himself. It's up to him and his companions to solve the puzzle and stop the evil force before it's too late.


The Chamber of Secrets is a truly cracking mystery adventure, with just about everything you could want from a blockbuster movie - thrills, scares (some quite intense, so be careful with the tots) laughs and excitement. As mentioned above, the effects are either superb (the flying car is completely convincing) or jaw dropping - where the Quidditch match first time round looked faintly ridiculous, it's now a piece of lightning fast brutality to rival just about any action sequence of recent times.

On the down side, there seems to be very little room left for most of the supporting cast that gave the first film what few delights it had. Coltrane as Hagrid is criminally underused. Ditto Rickman and Smith. Harris gets slightly more to do and proves he will be sadly missed and hard to replace. Of the new faces this outing, Isaacs makes a strong impression and his future confrontations with Harry will be something to look forward to. Branagh is absolutely hilarious but even he seems to disappear for hours at a time, such is the more or less constant screen time given to Harry (it is his film after all). This would be a problem if Radcliffe were as unsure as he was first time round, where he did little except gawp like a slack jawed yokel. Thankfully, he's grown into the role wonderfully and now actually convinces us that Harry is special. Grint, as his comic relief sidekick Ron, is given less funny lines, but still makes the most of them, along with a brilliant array of funny faces and yelps that would do Lou Costello proud, while Watson's Hermione is as simultaneously irritating and sweet as before.

A year ago, the battle between Harry and the Hobbits saw young Potter take a right good thrashing, if not at the box office, then certainly in terms of quality. If the Two Towers trailer is anything to go by, the result might be quite clear cut again, but at least the speccy wizard should be able to put up a decent fight this time.

Review copyright © Paul Greenwood, 2002.

E-mail Paul Greenwood

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