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Dan Owen reviews

The Lord of the Rings:
The Fellowship of the Ring

"One Ring To Rule Them All"

Distributed by
New Line Cinema

Cover
  • Cert: (not suitable for Under 8s)
  • Running time: 178 minutes
  • Year: 2001
  • Released: 19th December 2001
  • Widescreen Ratio: 2.35:1
  • Rating: 9/10

Director: Peter Jackson ("Bad Taste", "Braindead", "Meet The Feebles", "Heavenly Creatures", "The Frighteners")

Screenplay: Peter Jackson, Fran Walsh and Philipa Boyens (based on the book by J.R.R Tolkien)

Music: Howard Shore

Cast:

    Frodo Baggins: Elijah Wood
    Gandalf: Ian McKellen
    Sauron: Christopher Lee
    Bilbo Baggins: Ian Holm
    Galadriel: Cate Blanchett
    Arwen: Liv Tyler
    Aragorn / Strider: Viggo Mortensen
    Boromir: Sean Bean
    Gimli: John Rhys-Davies
    Elrond: Hugo Weaving
    Pippin Took: Billy Boyd
    Merry Brandybuck: Dominic Monaghan
    Samwise Gamgee: Sean Astin
    Legolas: Orlando Bloom

J.R.R Tolkien's unfilmable trilogy has been filmed. Over the next three years each book of his epic fantasy trilogy "The Lord Of The Rings" will be released, starting with this, the first book, "The Fellowship Of The Ring", followed by "The Two Towers", then "The Return Of The King".

So how has translating the literary behemoth to the silver screen fared? Thankfully, in the hands of auteur director Peter Jackson, the book has been treated extremely well - but with enough improvements, flourishes and changes to make it work better for a 21st Century cinema audience with no knowledge of Tolkien's masterpiece.

The trilogy tells the story of how an innocent Hobbit named Frodo Baggins becomes entrusted with an evil ring - The One Ring - that was created 2,500 years previously to enslave the population of Middle Earth by the Dark Lord Sauron. Fortunately, Sauron was narrowly defeated back then, but the ring survived and is now gradually reawakening its Master, so Frodo becomes the 'ring bearer' for the titular fellowship of ecletic individuals who must travel across Middle Earth to destroy the ring at Mount Doom where it was created. Got that?


It's fairly rudimentary stuff, and occassionally hard to imagine how a trio of 3-hour films can keep the momentum going, but at least we get an imaginative and awesome first part to whet our appetites for more. Events start at a relaxed pace, with keenly observed dark undertones and some great performances from Wood, McKellen and Holm. However, once the secret of the One Ring is revealed... things get really interesting.

For such a long movie the time really does fly past at an amazing rate. The pacing is absolutely perfect in fact, and any clock-watching is just to rejoice that there's still more to go once you hit the 2 hour mark! Once the trilogy is complete, watching a marathon run of all three films will be a bum-numbing pleasure based on "Fellowship".

New Zealand director Peter Jackson - himself a brave decision to preside over such an awesome task - has managed to breathe life into the fantasy genre in much the same way Ridley Scott made historical epics fashionable with Gladiator. From the sprawling countryside of The Shire, to the splendour of mountain town Rivendell, then deep under the dreaded Caves Of Moria... everything is given so much authenticity thanks to the real-life delights of New Zealand's locations.

Even better is the exceptional casting, utilising talented newcomers and established thespians in equal measure. Elijah Wood has never been better than playing the innocent Frodo, Ian McKellen is a note-perfect Gandalf, Christopher Lee proves he can still scare as evil sorceror Saruman, Ian Holm is a particular delight as Bilbo Baggins, Sean Bean gives a solid performance as the tortured Boromir, newcomer Viggo Mortensen easily sets himself up as a talent to watch and the rest of the cast are just as good.

However, even given a 3 hour running time, many characters are cruelly underdeveloped here - such as the dwarf Gimli, Merry and Pipping the hobbits, or Elf archer Legolas. As it stands now, these characters were merely additional hands for the fight sequences. But there are two more films to go, let's not forget...


And that's another "problem" with the film. Unlike many other trilogies (yes, even Star Wars), "Lord Of The Rings" is a proper trio of films. Here you're more acutely aware you're watching merely the first act of one BIG movie, and therefore the sense of closure for the film is unsatisfying - although it does leave you panting for more! One senses you won't fully appreciate any of the films entirely until the credits roll for "The Return Of The King" in 2003. That said, it means a lot of problems "Fellowship" does have can easily be excused because of this three-film setup... which is a blessing. Since you know you're buying into a 9-hour experience spread over 3 years, so you can forgive any flaws the first film has.

The music and sound effects are also worthy of special mention. Howard Shore ("Se7en") does an amazing job at evoking the epic nature of the film, together with the dramatic human edge that characterizes the piece. His score is both huge and booming, then tranquil and sweet in equal turn. The film's cohesion owes a lot to his work, and it truly elevates the action scenes. The sound effects are similarly a huge plus for the movie and add a great deal of weight and power to the visuals - particularly the whinnying Black Rider horses...

Of course, for a $109m film the special effects are obviously fabulous. The film actually has fewer standout effects-driven moments than you may be expecting, but that's because much of the delight in the film is with more traditional effects fare - such as hideous makeups for the army of Orks, the naturally amazing scenery of New Zealand, and extensive sets.

But when full-blown CGI kicks in, it never disappoints. Jackson's WETA company build upon the fantastic work they did in "The Frighteners" ten-fold - giving George Lucas' ILM a run for their money! In particular, an opening battle sequence (though very short) is a nerve-jangling experience of visual and audio prowess, as is an attack by the expertly-realised Cave Troll and the encounter with the Balrog demon. However, the film's effects aren't a huge quantum leap in photorealism as many were touting in mid-2001, but they certainly are impressive, and thankfully not overused as in "The Phantom Menace" to create a phoney atmosphere.


So what's to hate? Well nothing, really. It takes a while for the actual journey to start, there are a few lulls in the mid-section, a few moments when the persistent encounters with various creatures becomes slightly tiresome (did we really need the tentacled creature?), the Black Riders are somewhat overused and there are a few other kinks that will probably be ironed out in the next two installments - so are effectively nullified for now. But this isn't a film you can hate. It shows more maturity than its genre's reputation suggests, and whisks you away to Middle Earth for three hours. Enjoy it.

It will be 12 months until we see Middle Earth again... the journey's only just begun...

Review copyright © Dan Owen, 2001.

E-mail Dan Owen

Read all three of Dan Owen's Lord of the Rings reviews:

[Up to the top of this page]

DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and played through a Sony STR-DB930 amplifier.

PC games reviewed by the editor are on:

  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP