Jeremy Clarke reviews
Leaving Las Vegas
Distributed by
Pioneer LDCE
Cat.no: PLFEB 36991
Cert: 18
Running time: 108 minutes
Sides: 2 (CLV)
Year: 1995
Pressing: 1998
Chapters: 29 (17/12)
Sound: Dolby Surround
Widescreen: 1.85:1
Price: £24.99
Extras : None
Director:
Cast:
Nicolas Cage
Elisabeth Shue
Julian Sands
Cage ,
who from the opening has a penchant for going round supermarkets
filling trolleys with booze bottles of every conceivable shape and size,
gets fired from an L.A. movie company. So he decides to drive to Las
Vegas and crash down at a motel with the intent of drinking himself to
death. Then he runs into high class hooker Shue and - proving unable to
have the sex he paid her for - spends a drunken night in her
conversational company.
Shue 's own life is in something of a crisis itself, with gangsters on the
trail of her violent Russian pimp Sands and she responds to something
in Cage, inviting him to live in her home for his last remaining months.
The pair slowly fall in love, but Cage is not going to deviate from his
self-destructive purpose.
A deceptively simple plot, perhaps, but a perfect framework around which
British-born director Figgis weaves compositions both visual and musical
(he also wrote the memorable, jazzy score himself). The cinematography
is a joy - whether we're looking at supermarket alcohol shelves,
neon-soaked Vegas nightscapes, expressionist-lit sex scenes or
matter-of-fact facial close-ups - and given the evident superb source
master used and Pioneer's typically flawless transfer, the disc does
them proud.
Having truly excelled itself in the picture department, the disc goes on
to score full marks in that of sound - Figgis is one of those rare
directors equally involved in both since he composes his own scores - and
his work here is wonderful, aurally transforming your living room into a
smoke filled jazz dive for the duration, creating exactly the right mood
and atmosphere for the tale he as director seeks to tell. Other
memorable elements include cicadas which you would SWEAR are buzzing
somewhere in the room!
Both lead characters may be on the social margins, but there's something
undeniably attractive about them and their crossing paths. Cage - whose
performances are usually OUT THERE - excels himself portraying a slow
slide to oblivion and death, while Shue not only copes well with a role
that makes considerable demands on her (nudity, simulating blow jobs,
being beaten up by college boys) but turns in a memorable onscreen
counterpart to Cage.
The actor won an Oscar for this - and deservedly so. The film also received
three other nominations (Best Actress - Shue, Best Director - Figgis, Best
Writer - Figgis). It's a tremendous piece of work by all concerned and one
particularly suited to home cinema given the intimate at-home-in-my-room
nature of its subject matter. What one requires of a disc of LLV is competent
chaptering, decent unobtrusive sidebreak that doesn't interrupt any music or
dramatic moment in mid-flow and a perfect transfer of picture and sound.
This disc, which is not only an Entertainment title but also a Lumiere one,
fulfils all requirements more than adequately. Go buy.
Film: 5/5
Picture: 5/5
Sound: 5/5
Review copyright © Jeremy Clarke, 1998.
E-mail Jeremy Clarke
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