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Dom Robinson reviews

Underworld Live:
Everything Everything

Distributed by

BMG

    Cover
  • Cat.no: JBO 1012568P
  • Cert: E
  • Running time: 89 minutes
  • Year: 2000
  • Pressing: 2000
  • Region(s): 0, PAL
  • Chapters: 12
  • Sound: Dolby Digital 5.1, Dolby Stereo
  • Languages: English
  • Subtitles: None
  • Fullscreen: 4:3
  • 16:9-enhanced: Yes
  • Macrovision: No
  • Disc Format: DVD 9
  • Price: £19.99
  • Extras : Scene index, Live Tomato Video Art, Internet Links, Out-takes, 2 Bonus Tracks, DVD-ROM material, Keyboard Driven Vision Mixer, Facility to program your own concert
  • Director:

      Dai Hirose

    Producer:

      Masa Matsuzaki and Keigo Kobayashi


Underworld Live: Everything Everything has, at its heart, a near-90 minute concert in which the masters of the mix give it all they've got. You may think it about as interesting as watching paint dry when it comes to a few bods on stage tweaking their synthesisers as a loud crowd in front scream out for more, but while the music delights the aural senses, so do the visuals please the eyes with bizarre things overlaid and in the case of Born Slippy clips of the video are mixed in with the concert footage.

If you're hosting a party and don't want your guests to stare at the people, use the multi-angle option or that from the main menu to select the "Live Tomato Video Art" instead: weird images aplenty to blend in perfectly with the music.

Of the tracks at the concert, the first, Juanita/Kiteless, sounds like it has been sampled to produce Azzido Da Bass' Dooms Night single (No.8, Oct 2000), Push Upstairs is a heavy piano-based tune, the promo for which features aplenty on MTV2, starting with a camera panning over a lake, Rez/Cowgirl is the one that features an endless "an eraser of love" and "everything everything" chant and of course, Born Slippy Nuxx is a remix of the Trainspotting techno classic and one of my favourite dance tracks of all time.

Another thing to note in this initial part of the review is that the concert and the 'live tomato video art' each contain plenty of strobe lighting, for those who suffer epilepsy.

Their singles chart history to date (October 2000) is as follows :

    
    Dec 93	No.63	Spikee / Dogman Go
    Jun 94	No.57	Dark and Long
    May 95	No.52	Born Slippy
    May 96	No.24	Pearl's Girl
    Jul 96	No. 2	Born Slippy (re-mix)
    Nov 96	No.22	Pearl's Girl (re-issue)
    Dec 96	No.74	Born Slippy (re-entry of re-mix)
    Mar 99	No.12	Push Upstairs
    Jun 99	No.21	Jumbo
    Aug 99	No.17	King of Snake
    


An anamorphic 16:9 widescreen ratio - something I wasn't expecting, but it's a boon to see it so well-used for a concert DVD, with no artifacts and clean, bold, strong colours appearing throughout. Not quite sure about the average bitrate. The maximum it can be is 10Mb/s. Few DVDs reach that but this one has sent the bitrate off the scale claiming an average reading of 10.1Mb/s. Hmmm...

Dolby Digital 5.1 and Dolby Stereo flavours for all, the former providing a much more impressive performance, as your neighbours will discover. On the day I'm writing this review it's approaching midnight, so it's safe to say my amplifier is NOT on full power, but jeez, just think what could be achieved if it was!


Chapters :

The chaptering is rather odd. There's 12 for the whole concert, but just 9 tracks. This leaves two at the start spread over the first minute which serve no purpose, plus one at the end for the closing credits.

The track listing as is follows :

  • 1. Juanita/Kiteless
  • 2. Cups
  • 3. Push Upstairs
  • 4. Pearl's Girl
  • 5. Jumbo
  • 6. Shudder/King of Snake
  • 7. Born Slippy Nuxx
  • 8. Rez/Cowgirl
  • 9. Moaner

Subtitles :

There are no subtitles as such, but three languages for the menu options (English, Welsh and Japanese) and your choice is also used during the credits. This is rather an odd choice, but then they're not the most conventional band around.

Extras :

I've already described the Live Tomato Video Art. There are four minutes (not five, if I want to be pedantic) of Out-takes or rather concert and soundcheck clips and some very weird stuff indeed.

The Program your own Gig section works very simply but also as effectively. Basically, each track from the concert, including the accompanying "Live Tomato Video Art", has been allocated its own title. The selected titles are then played in the order as programmed. This requires the entire gig to be on the disc twice, or at least just the music tracks, but it's worth it.

Two bonus tracks, with their own weird occasionally-changing visuals, Kittens (9 mins) and Rowla (8 mins) are included.

The DVD-ROM material takes up at least 300Mb of hard disc space and as well as active weblinks, the Keyboard Driven Vision Mixer (known on as a 'wongizer') and the Dogboy section will make you feel like you're on some kind of narcotics. A few other items are available in this section too including audio streams and seemingly a video stream (didn't work for me though).

Note that when it came to installing the DVD-ROM material, it first tries to dump the content on your C: drive. I didn't have enough space and thankfully it allowed me to select another destination, since I thought it was going to wipe out the remaining 300Mb of space I had left.

Of course, where you want the actually "Everything Everything" program to go afterwards is something you can specify and be assured it will delete the original setup program from your hard drive, thus releasing any previously-hogged space.

Menu :

Subtle coloured-block animation with the sound of wind blowing in the background. Work that one out. Looks damn cool though.


For £19.99, this DVD actually represents better value than going to the concert itself. I've tried watching this concert and the accompanying weird imagery in the dark, but even if I've damaged my eyesight at all it will have been worth it.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2000.

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DVDfever.co.uk - Est. February 25th 2000

As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B 37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.

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