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Dom Robinson reviews

Underworld: Evolution

Distributed by

Entertainment in Video

    Cover Underworld: Evolution:
    Underworld Sp.Edn:

  • Cert:
  • Cat.no: EDV 9379
  • Running time: 102 minutes
  • Year: 2006
  • Pressing: 2006
  • Region(s): 2, PAL
  • Chapters: 12 plus extras
  • Sound: Dolby Digital 5.1
  • Languages: English
  • Subtitles: English
  • Widescreen: 2.35:1 (Super 35)
  • 16:9-Enhanced: Yes
  • Macrovision: Yes
  • Disc Format: DVD 9
  • Price: £19.99
  • Extras: Featurettes: Bloodlines: From Script to Screen, The Hybrid Teory, Making Monsters Roar, The War Rages On, Building A Saga, Music and Mayhem, Music Video, Audio Commentary

    Director:

      Len Wiseman (Live Free or Die Hard, Underworld, Underworld: Evolution)

    Producers:

      David Coatsworth, Gary Lucchesi, Tom Rosenberg and Richard Wright

    Screenplay:

      Danny McBride (from a story by Len Wiseman and Danny McBride)

    Music:

      Marco Beltrami

    Cast:

      Selene: Kate Beckinsale
      Michael Corvin: Scott Speedman
      Marcus Corvinus: Tony Curran
      Kraven: Shane Brolly
      Alexander Corvinus: Derek Jacobi
      Viktor: Bill Nighy
      Andreas Tanis: Steven Mackintosh
      Amelia: Zita Görög
      William Corvinus: Brian Steele
      Soren: Scott McElroy
      Samuel: John Mann
      Lucian: Michael Sheen
      Erika: Sophia Myles
      Pierce: Rich Cetrone


Underworld: Evolution starts off in 1202 AD where the two sons of Alexander Corvinus (Derek Jacobi), Marcus (Tony Curran) and William (Brian Steele) are having rather a to-do, as sibling rivalry can often exhibit.

Marcus was bitten by a bat and became the blood leader fo the vampires, while William took it from a wolf and became the first and most powerful Lycan, so, yes, he just looks like a wolf during his time onscreen. This opening section also gives us a chance to see characters such as Lucian and Viktor who were offed in the first installment, which I didn't exactly go a bundle on, but can the sequel rectify that? Yes, it can as pontificating scenes are kept to a minimum so more time is spent on the action.

Self-proclaimed death-dealer Selene (Kate Beckinsale, once again looking resplendent in her rubber catsuit) killed Viktor (Bill Nighy) at the end of part one, and now only has Michael (Scott Speedman) left on her side. However, he turned out to be the human descendent of Alexander Corvinus, neither vampire nor Lycan, but a hybrid, so she's got a problem either way as we get back to the present day where Michael is trying to get adjusted to his new-found status, but first Selene now wants to awaken Marcus and get the truth out, before Kraven (Shane Brolly) turns up first to kill him.


There are lots of flashbacks to the first film to remind you of what happened, and also as Marcus, now awoken, sets about to have his vengeance and track down Michael, the method of which will become clear as you watch the film. Derek Jacobi does a good turn as Alexander Corvinus, the father of all the vampires, and Steven Mackintosh hams it up nicely as Andreas Tanis, a man who's been in exile for the past 300 years for reasons I'll also leave you to discover, but he's essential for helping Selene and Michael piece everything together.

And one piece of the puzzle is a mysterious amulet which Marcus is after in his bid to free William who was locked away 800 years ago. Cue a WWE-style match between Marcus and Michael, an inevitable soft-focus sex scene, some nice slomo CGI effects and cool Ray Harryhausen-style model shots involving William the werewolf and you have a far better overall result than the original movie, even if it is incredibly daft at times.

At the end it hints at another sequel, although IMDB suggests that a prequel is on the cards for release in 2009. Either way, I shall be looking forward to it.

Oh, and once again I've used pictures of Kate Beckinsale in her role as Selene (top-right) and as she is in real life (above-right) just because she's very hot.


The picture is superb with not a single glitch to be found on the 2.35:1 anamorphic widescreen image. Sadly, there's no DTS soundtrack this time, leaving just a Dolby Digital 5.1 option which could've been avoided if they'd released it as a 2-disc set like the first film's special edition. No doubt EIV will pull that trick again later on. While the sound effects are good in the opening scene, there's a number of other occasions, such as towards the end when it involves a helicopter, where it's really lacking which is a great shame.

The film was, again, shot in Super 35 so the 16:9 and 4:3 clips on many of the extras show extra screen height top and bottom with little or no cropping for non-CGI scenes.

There are no chapters in the extras at all, most of which you can predict the content inside, and they total 77 minutes - not including the commentary, starting with:

  • Bloodlines: From Script To Screen (13:23) which sets the tone for all six featurettes where chat from the cast and crew, filmed in 4:3, is mixed in with 2.35:1 letterboxed film clips. Here we're told that all concerned felt there was more of a story to be told (and more money to be made, as a result) so cue the inevitable sequel. Of course, these additions should only be watched once you've seen the movie itself so you don't encounter spoilers.

  • The Hybrid Theory (12:58), I was expecting would've gone into more detail about Michael's predicament, instead just concentrates on the visual effects used in several scenes through the film and how CGI wasn't always relied upon exclusively to get the job done, to get a better overall effect.

  • Making Monsters Roar (11:54) is subtitled 'Creature Effects' and you can guess which aspect of the movie this one is about.

  • The War Rages On (9:52) is about the stunts and stunt coordinator Brad Martin confirms what we could see in that there's more action in this sequel, when compared to the original.

  • Building a Saga (12:54) features production design with a scale that's 2-3 times larger than the first one and a budget to match that allows them to do things they didn't get chance to do back then.

  • Music and Mayhem (11:48) is, as you'd expect, about the music score and the sound design throughout the movie.

  • Music Video (3:52): This one's for Her Portrait in Black by Atreyu and grunges along loudly.

  • Audio Commentary: The last extra on this DVD is a feature-length commentary courtesy of director Len Wiseman, Editor Nick De Toth, production designer Patrick Tatopoulous and stunt coordinator Brad Martin.

The DVD menu has subtle animation to reflect the look of Marcus' tomb with some great DD5.1 sound, but there's a pitiful 12 chapters to the film - half the number the original had - and the subtitles are in English only.

My only complaint about the presentation is that EIV have stuck a trailer at the start of the disc for Slither, prior to when the main menu appears. Just what do you think the 'extras' section is for, EIV? We've grown out of the procedures once exploited from the days of video rental.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2007.

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DVDfever.co.uk - Est. February 25th 2000

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