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Tom Anderson reviews

for Nintendo 64

Distributed by
Rare


Cover TWO CHEERS FOR RARE

If you're not a big Pokemon fan, Perfect Dark will be an unexpected pleasure for the N64 gamer. For the once mighty empire of Nintendo, which conquered the known world of gaming, has been overrun by marauding barbarians.

For us cartridge-based gamers, the stream of new games have been reduced to a pathetic trickle. Basically, our little black box has snuffed it. Almost. For, like the occupation of Gaul during the time of Asterix, there is still a gaggle of feisty villagers holding out against the imperial might of Sony.

The village's name is Twycross, set deep in the heart of the English countryside. Here 200 designers, programmers and, er, other people, fight on under the banner of Rare software.

'Rare' is a good name too, because the last decent game they produced was the undisputed first-person shooter classic 'Goldeneye'. That was in 1997, and it's been a flipping long wait, not helped by the fact that Rare kept delaying release, 'just to make it really, really, good' or whatever.


THE NAME IS DARK, JOANNA DARK...

The year is 2023 and Uberbabe Joanna Dark, (sadly not as sexy as Ms. Croft, my geek brethren) is code-named 'Perfect Dark' because she's such an ace recruit. Some Scottish geezer sends her off to do battle with the mighty Datadyne Corporation. This is because they're getting a bit matey with aliens. That, all boiled down, is the plot.

Cover MAKE MY GAME RARE, PLEASE, WAITER

Was it worth the wait? Yes and no. No doubt most Nintendo magazines will be giving it ten out of ten because they are so grateful for a half-decent game. The unavoidable fact remains that it's Goldeneye 2, and a safe sequel like this can never quite recapture the magic of the original.

It uses the same graphics engine, and while the graphics are marginally improved, there are no quantum leaps here. This is despite the mandatory 'Expansion Pak' that you have to buy for twenty notes extra - without it, Rare explains, you can only play 35% of the game!

The audio is now in Dolby Surround, and the game sports a 16:9; the sort of nice little enhancement you can expect from this game.

THEY DIE LIKE SO MANY PATHETIC ANTS, THESE HUMANS

The gameplay has improved in some respects: you now get a training centre (a la 'Tomb Raider 2') and the gadgets and guns are more fun: my favourite was the flying SpyCam, which you can launch into small holes.

The AI of the opponents has not improved, though, - the jumpsuited goons are still as easy to kill as in 'Goldeneye' (how they danced to the deadly tune of my machine-gun - Oh lordy).

The Solo missions are identical in format to Goldeneye; nine large missions are divided into sub-missions and there are three levels of difficulty. The easiest level now seems easier than 'Goldeneye' and the hardest seems harder. Essentially, you either have to kill people or find things. The level designs are inspired, and there's less emphasis on stealth than in Goldeneye, concentrating on all out fragging. Machine guns are particularly satisfying with the Rumble Pak. Sometimes there is dialogue to help you when you near an objective, but generally the game leaves you to figure things out on your own (embarrassingly, I got stuck in the training section at one point)


Cover GAMING WITH CHUMS

There are three multiplayer options: combat simulator (1-4 player deathmatch), co-operative play and a counter-operative game. The combat simulator resembles the classic Bond deathmatch, but expanded.

Now, up to 8 computer players can participate against 1-4 human players. Plain old deathmatching is also an option. The new co-operative and counter-operative modes are two-player games that take place in the solo levels. In co-operative mode, two players can team up on any level that's been completed in the Solo Missions. The counter-operative is just the opposite: a human player takes over as the bad guys on each level. As the enemies fall, the other player switches to the next closest baddie that's still breathing.

CLOSE, BUT NO CIGAR

Hundreds of nice little tweaks illustrate the care 'Rare' has invested in 'Perfect Dark'. You can now pistol-whip opponents with your pistol if bullets have run out. Walls get bloodstained if you murder people near them.

Sadly, nice touches don't make a game that deserves the title 'classic'. But it's damn good, nonetheless, even if it is, like texture-mapped computer characters, a little dead behind the eyes.

GRAPHICS
SOUND EFFECTS AND MUSIC
PLAYABILITY
ORIGINALITY
ENJOYMENT




OVERALL

Review copyright © Tom Anderson, 2000.

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