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Dom Robinson reviews

Lucky Number Slevin

Wrong Time. Wrong Place. Wrong Number.

Distributed by

Entertainment in Video

    Cover

  • Cert:
  • Cat.no: EDV 9391
  • Running time: 105 minutes
  • Year: 2006
  • Pressing: 2006
  • Region(s): 2, PAL
  • Chapters: 16 plus extras
  • Sound: Dolby Digital 5.1
  • Languages: English
  • Subtitles: English
  • Widescreen: 2.35:1 (Super 35)
  • 16:9-Enhanced: Yes
  • Macrovision: Yes
  • Disc Format: DVD 9
  • Price: £19.99
  • Extras: Trailer, The Making of Lucky Number Slevin

    Director:

      Paul McGuigan (The Acid House, The Equilizer (2007), Four Knights, Gangster No.1, Lucky Number Slevin, The Reckoning, Wicker Park, TV: Thief)

    Producers:

      Christopher Eberts, Andy Grosch, Kia Jam, Robert Kravis, Tyler Mitchell, Anthony Rhulen and Chris Roberts

    Screenplay:

      Jason Smilovic

    Music:

      Joshua Ralph

    Cast:

      Slevin: Josh Hartnett
      Smith: Bruce Willis
      Lindsey: Lucy Liu
      The Boss: Morgan Freeman
      The Rabbi: Ben Kingsley
      Yitzchok: Michael Rubenfield
      Dumbrowski: Peter Outerbridge
      Brikowski: Stanley Tucci
      Marty: Kevin Chamberlin
      Elvis: Dorian Missick
      Sloe: Mykelti Williamson
      Max: Scott Gibson
      Nick Fisher: Sam Jaeger
      Roth: Danny Aiello
      Henry: Oliver Davis
      Saul: Corey Stoll
      Abe: Howard Jerome
      Murphy: Robert Forster
      Slim Hopkins: Darren Marsman


I was intrigued by Lucky Number Slevin as it had a premise of appearing like a comedy gangster thriller with Bruce Willis.

As this film begins we see an almost-deserted airport lounge where a young man sits down waiting to be called for his flight. Bruce appears at his side, sat in a wheelchair, and in in the way plays his usual calm and collected character, he introduces himself as Smith and tells him about the Kansas City Shuffle, something which you'll learn more as you watch the film - although it's basically about looking both ways before you leap - and tells him a tale about a man who claimed he would only bet on a sure thing when it came to horse racing, but it all goes wrong and he lands himself in debt to some very bad men.

Shortly after, we see Slevin (Josh Hartnett), a man who has lost his job, flat and girlfriend and accepts the offer from a friend called Nick Fisher to fly out and take up employment with him. On his arrival, Nick is nowhere to be found but despite happening to be in an apartment opposite a rather sexy neighbour, Lindsey (Lucy Liu), his day isn't going particularly well and when the first of many knocks on the door comes, he's whisked away by two men who tell him they work for The Boss (Morgan Freeman) and finds himself drawn into a mob situation while still in his towel, such is the speed at which things happen once he touches down and, assumed to be the real Nick Fisher, he's told he has to get vengeance for The Boss' son who was murdered recently by taking out the son of his arch-nemesis, The Rabbi (Ben Kingsley).


Josh Hartnett is given the smart-talking role, the kind of thing Bruce Willis used to get early on in his career in Moonlighting and he applies it well as he becomes embroiled in a game of cat and mouse between the two rivals, although at one point, given that bad things happen to him almost every time Slevin opens his apartment door, it's a wonder he continues to do so. Lucy Liu also equips herself very well as the nosy neighbour who quickly jumps into his life and wants to help him find Nick, putting her very analytical mind to use, starting off by finding out that the last person to ring Nick up turned out to be a mysterious phone call from a hotel.

To give more information about the film would be to spoil what comes next, but I will say that things completely turn around in the last 25 minutes and what started off as engaging all falls apart as they can't think of an ending that makes sense, leaving you with a feeling of this being one of those films where you enjoy things as the characters begin to attempt to unravel a mystery and then the final reveal is just very poor indeed.


Presented in the original 2.35:1 anamorphic widescreen, the print looks very good even in the drab apartment segments. There are also some split-screen scenes revolving around a game of chess that certainly couldn't be cropped to 16:9, although time will tell whether the Super 35 process used will be able to strike a decent 16:9 print that doesn't involve the usual straight cropping. Why TV stations just can't accept that the world and his wife do not have a great objection to black bars, given the huge amount of DVDs sold over the past few years, is anyone's guess.

The DD5.1 sound is used to good effect when a quick death at the hand of a sharp trigger finger is required, but this isn't massively often.

The only extras are a trailer for the movie, running for 2 minutes and in anamorphic 2.35:1, plus a Making of Lucky Number Slevin (13:18) featurette, presented in 4:3 with letterboxed film clips that mixes in the usual affair of film clips, behind-the-scenes footage shot during filming and random chat from key cast and crew members.

There are subtitles in English only, a total of 16 chapters which are spaced out quite badly (chapter 12 doesn't come until 13 minutes in) and a main menu with sound and a short piece of looped footage from the film that 'rewinds' quite nicely.

FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2006.

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