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Paul Greenwood reviews

Paycheck

Cover
  • Cert:
  • Running time: 119 minutes
  • Year: 2003
  • Released: 16th January 2004
  • Widescreen Ratio: 2.35:1
  • Rating: 6/10

Director:

    John Woo (Broken Arrow, Face Off, Mission:Impossible 2, Windtalkers)

Cast:

    Michael Jennings: Ben Affleck
    James Rethrick: Aaron Eckhart
    Rachel Porter: Uma Thurman
    Shorty: Paul Giamatti
    Wolfe: Colm Feore
    Agent Dodge: Joe Morton
    Agent Klein: Michael C. Hall

John Woo has been making films in Hollywood for 10 years now, and what has he got to show for it? Two Travolta films - one good, one average. An insufferably smug Tom Cruise sequel. A pointless Nicolas Cage war film. Oh, and a Jean-Claude Van Damme movie.

It’s not a great return for a man who, in his Hong Kong days, made some of the finest action thrillers of all time. What went wrong? Is it the stories and/or scripts? Is it that he lacks a leading man of the calibre of Chow Yun Fat? Is his style just not compatible with western filmmaking? Or has he, like John McTiernan or Paul Verhoeven, simply lost his touch? These questions are unlikely to be answered until he starts making great films again, and Paycheck is no indicator of that. Not that it’s bad, and it’s certainly a damn sight better than Windtalkers and M:I-2 but then, so are most films.

At first glance, the mind bending plot has the potential to derail it, but it actually works quite well. Based on a story by Philip K. Dick, it’s a combination of elements from earlier film versions of his work - the mind-fuck antics of Total Recall meets the free will versus fate future predicting of Minority Report. Michael Jennings is an engineer, paid huge amounts of money by big companies to take apart the technology of rival companies and put it back together as a better product. The downside of this is that after he’s finished, his memory is wiped of all knowledge of the product and all the weeks he’s spent working on it.

His old friend Jimmy recruits him for a top secret job that will last three years but he’ll come out with an eight figure paycheck (or is it paycheque?) when he’s finished. So, job done, memory wiped, he goes to collect his payment only to be told he’s given up the money and all he has instead is an envelope full of everyday items like sunglasses and a bus ticket. Obviously he has no recollection of this, but when he’s arrested by the FBI and then an attempt is made on his life, he has to work out who is out to get him and what the envelope is for.


Playing more like a detective mystery than a sci-fi thriller, there’s quite a bit to enjoy here. The viewer has no more idea than Jennings what’s going on and watching him piece together the puzzle is rewarding. Ben Affleck even gives a better performance than usual and is well suited to the role, although Uma Thurman is wasted and Paul Giamatti all but disappears after half an hour.

One thing you should be guaranteed in a John Woo film is sizzlingly choreographed action, but surprisingly this aspect is the biggest letdown. Most of the sequences are clumsy and run of the mill with little of Woo’s trademark balletic slo-mo. One scene is downright incompetent - Jennings is being chased down by a train and, as it gets closer, all the audience can see is the train, with no idea of Ben’s position relative to it.

Of the major Dick adaptations that have so far been made, this is clearly the weakest, but it’s in such illustrious company that this shouldn’t be seen as too harsh a criticism. Taken on its own merits and ignoring the Woo factor, Paycheck is passable filler that makes for an undemanding evening’s entertainment.

Review copyright © Paul Greenwood, 2004.

E-mail Paul Greenwood

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DVDfever.co.uk - Est. February 25th 2000

As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B 37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.

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