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Paul Greenwood reviews

The Master of Disguise

Cover
  • Cert:
  • Running time: 80 minutes
  • Year: 2002
  • Released: 17th January 2003
  • Widescreen Ratio: 1.85:1
  • Rating: 1/10

Director:

    Perry Andelin Blake

Cast:


    Pistachio Disguisey: Dana Carvey
    Jennifer Baker: Jennifer Esposito
    Grandfather Disguisey: Harold Gould
    Fabbrizio Disguisey: James Brolin
    Devlin Bowman: Brent Spiner
    Mrs. Disguisey: Edie McClurg
    Sophia: Maria Canals
    Barney Baker: Austin Wolff
    Trent: Mark Devine

Alan Morrison of Empire magazine said in his review of The Master of Disguise that it was the worst film ever made. This was a bold statement and a challenge I couldn't resist as I braved the rain and the Saturday afternoon crowds to see how bad it could be for myself. I now feel that I've learned an important lesson, one that I'd like now to pass on to you, gentle reader, lest you feel like making the same mistake.

Because never in my wildest nightmares could I have imagined such a travesty. Whether or not it's the worst film ever made, it's certainly the unfunniest comedy I've ever seen. From a script that may well have been written at the back of the bus on the way in to the studio on the first morning of filming, to actors who look deeply embarrassed to be there, this will have you staring in disbelief as it implodes on the screen before you.

For what it's worth, it's the story of Pistachio Disguisey, a young Italian waiter who learns that he comes from a long line of Masters of Disguise, people who can make themselves look and sound like anyone. His parents are kidnapped by millionaire Devlin Bowman who wants to use Pistachio's father's powers of disguise to help him steal priceless artefacts, and it's up to Pistachio to save the day. And that's it really, save for many pointless impersonations and attempted spoofery.


The makers (Dna Carvey co-wrote by the way) are under the impression that simply repeating lines or re-creating scenes from other movies from Jaws to The Exorcist is funny in and of itself. Clearly the concepts of wit and originality are not ones with which they're familiar. One character even says to Pistachio, "The funny faces and silly voices were funny for like a second". I'm afraid I have to take issue with this, because if it had been funny for a second, there would at least have been one laugh to be had.

You know a film is bad when the funniest (and I use that word very, very, very relatively) thing in it is the fact that the villain farts when he laughs. You know it's bad when the star cameos are of the calibre of Bo Derek and Jesse Ventura. But most of all, you know it's bad when it offers considerably less entertainment value than the urchins in the back row of the cinema throwing sweets at the audience.

Carvey is clearly not without a talent for mimicry, but a writer he ain't and Master of Disguise should count itself lucky not to be getting zero out of ten. The one mark it is getting is only because of his really rather good impression of Pacino.

DVDfever Dom adds: According to the BBFC, "Company chose to remove dangerous imitable technique, a series of head butts, to gain a PG category. A "12A" uncut was available to the distributor"

Review copyright © Paul Greenwood, 2003.

E-mail Paul Greenwood

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DVDfever.co.uk - Est. February 25th 2000

As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B 37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.

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