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Me and my
Aortic Valve!

Jason Maloney reviews

JASON'S   ALBUM   ARCHIVE

V o l u m e # 1 8

Week Commencing: 17th June 1985

Online Date: 16th June 2005

Cover
Sting: The Dream
of the Blue Turtles

Sting: The Dream of the Blue Turtles (A&M)

In which The Police's mainman, freed from the attendant creative shackles of a globe-conquering rock band, sought to express himself through a set of songs covering everything from the Cold War (Russians), the Miner's Strike (We Work The Black Seam), the 11th Century Crusades (The Children's Crusade), vampires (Moon Over Bourbon Street) and, er, jazz-flavoured instrumentals about blue turtles.

Plenty of pretentious-sounding guff accompanied the album's sleevenotes; on all of his first three solo outings Sting felt the need to painstakingly reveal the inspiration behind each track and the genesis of the albums themselves.

Despite some critical flak, The Dream Of The Blue Turtles proved a unqualified success - Top 3 in the UK, Top 10 in the US - and spawned a large handful of modest hit singles, including the expert pop of If You Love Somebody (Set Them Free) and the joyous calypso of Love Is The Seventh Wave. He even found it in himself to poke fun at his Police days with the latter's coda of "Every Leg You Break, Every Cake You Bake".

A brief and rather disastrous attempt to patch things up with messrs Copeland and Summers in 1986 aside, Sting the Solo Artist was born.


Cover
Marillion:
Misplaced Childhood

Marillion: Misplaced Childhood (EMI)

With their third album, ridiculed neo-progsters Marillion reached new commercial heights courtesy of romantic ballds Kayleigh and Lavender. The former defied the band's previous chart form by reaching #2 on the UK Singles Top 40, paving the way for Misplaced Childhood to debut at #1 on a competitive week.

While both 1983's Script For A Jester's Tear and 1984's Fugazi had gone top 10, neither produced a genuine hit single. Lavender's subsequent Top 5 success in August helped to keep its parent album in the higher regions for the rest of 1985.


Cover
Talking Heads:
Little Creatures

Talking Heads: Little Creatures (EMI)

The Heads' debut studio set for EMI eventually became the biggest of their career, but it got off to a sluggish start. Little Creatures' #10 peak only came after The Road To Nowhere became a smash hit at the end of the year, followed by And She Was in early 1986.

Although the band's reputation was at a high after Jonathan Demme's groundbreaking Stop Making Sense concert film in 1984, the new album's introductory single The Lady Don't Mind flopped badly and Little Creatures originally debuted at #21. Twelve months later, however, it was still on the UK album chart and on course for a 65-week residency in total.


Cover
OMD: Crush

Orchestral Manoeuvres in the Dark: Crush (Virgin)

OMD's sixth record enjoyed contrasting fortunes on each side of the Atlantic, becoming the band's breakthrough album in America as well as the first to fall short of the UK Top 10 since Andy McCluskey and Paul Humphreys' debut reached #27 in March 1980.

Housed in a sleeve that paid homage to the work of iconic American artist Edward Hopper, Crush had a slicker sound than previous OMD albums - first single So In Love cracked the Billboard Top 40 and paved the way for Bratpack film-maker John Hughes' invitation to write the main song for his next movie Pretty In Pink.

In Britain, the album charted at #13 and the trio of singles lifted from Crush met with indifference; So In Love's peak of #27 bettering those of Secret (#34) and La Femme Accident (#42).

(DVDfever Dom adds: This CD is now discontinued, so the cover link points to their excellent 'Best Of' from the early 90s.)


Cover
R.E.M.: Fables
of the Reconstruction

R.E.M.: Fables of the Reconstruction (IRS)

Between 1983 and 1988, R.E.M. would release an album every year; their 1985 effort saw them still hovering on the fringes, the universal acclaim afforded them by the UK music press and US College Radio alike not yet transferring itself into significant sales.

Fables Of The Reconstruction came after 1984's Reckoning had put them on the rock map, and would be followed by another near-miss in Life's Rich Pageant a year later before the big-time came calling with Document in 1987.

Page Content copyright © Jason Maloney, 2005.

Check the Album Archive database at: The Album Archive.com

The following is a list of Jason's Album Archives online for week ending:

And in chronological order:

DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and played through a Sony STR-DB930 amplifier.

PC games reviewed by the editor are on:

  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP