Jeremy Clarke reviews
Hercules
Distributed by
Pioneer LDCE
Production Design:
Excluding
the Pastoral sequence in Fantasia, Disney have never
previously based an animated feature on Greek mythology. But while such
subject matter makes Hercules something of a Disney first, it blazes a
far more important trail for the Studio in the remarkable collaboration
between their in-house animation talent and Britain's own Gerald Scarfe .
Disney's rigorous technical expertise applied to the artist's unique
visual style have produced visually breathtaking results. Scarfe's
extraordinary (and gut-wrenchingly violent) animated sequences a decade
ago for Pink Floyd - The Wall worked as incredible metamorphoses but
neatly sidestepped the challenge that the Disney artists have confronted
head on herewhich is, how on earth does a non-metamorphosing Gerald
Scarfe character move? Humans, often the weakest elements in Disney
animation, prove impressive here.
Of course, the Studio's pedigree helps (but remember, it didn't save the
dire Pocahontas ) and the presence of directorial duo Musker and
Clements (here helming their fourth Disney feature after their likewise
groundbreaking earlier efforts on Great Mouse Detective, Little Mermaid
and Aladdin ) should not be overlooked. The piece packs another secret
weapon in James Woods ' voicing the villain Hades - for those unaware of
his masterful, wormlike roles in the likes of Videodrome and
Salvador , he's likely to be a revelation. It's dream voice casting:
Hades is an archetypal slimeball who even looks like Woods. If what's left is
a hit and miss rollercoaster ride, Hercules' more innovative elements mark it
out as must-see Disney.
So how does this, the first disc to bear the new Pioneer logo on its
sleeve, rate as a disc? Well, mixed. It looks pretty good, but by no
means the best transfer we've ever seen (ultramarines and deep pinks
seem to show a lot of noise, although oranges, greens and yellows look
beautiful) - which is saying a lot given the high standard of Buena
Vista transfers for Pioneer generally (check out Cop Land, one of the
nicest transfers to disc ever).
So the transfer is okay, but it's not staggering, which is more than a little
surprising. Ever since pioneering multi-directional sound on Fantasia back in
1940, Disney have been at the forefront of sound technology and Hercules
continues the tradition - plenty of activity in all surround channels
throughout and a rollercoaster musical score to boot. The side break is
dramatically unobtrusive - indeed, it's hard to think of an improvement on the
one around 53 minutes - but it does mean that both sides are in CLV when 30
minutes in CAV would be a possibility for an 90 minute film. As with
most other Pioneer/Buena Vista titles, there are no trailers and no
extras - a shame, because the unique nature of the Disney/Scarfe
collaboration cries out for something like a featurette. All the same, a
decent little Disney movie and a decent little disc.
Film: 4/5
Picture: 4/5
Sound: 5/5
Review copyright © Jeremy Clarke, 1998.
E-mail Jeremy Clarke
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