Jeremy Clarke reviews
The Fog
Distributed by
Pioneer LDCE
Cat.no: PLFEB 37201
Cert: 15
Running time: 87 minutes
Sides: 2 (CLV)
Year: 1979
Pressing: 1998
Chapters: 35 (14/21)
Sound: Mono
Widescreen: 2.35:1
Price: £19.99
Extras : None
Director:
Cast:
Jamie Lee Curtis
Hal Holbrook
Janet Leigh
Somewhere
in between the seaside coastal town of Jaws and the housing
development threatened by ancient evil in Poltergeist , neither of which
he had anything to do with, comes John Carpenter 's 1979 offering
The Fog in which a one hundred year old conspiracy returns to haunt the
town founded upon it.
First up is a superb series of unexplained events - petrol pump nozzles leaping
off their holders to discharge gasoline, glass objects shattering and a brick
hurled through local priest Holbrook 's window breaking a wine bottle
and opening a crack in a vestry wall to reveal a hundred year old priest's
diary in which Holbrook reads about the six-man conspiracy that stole a man's
gold and built a town with the profits.
With local radio DJ Adrienne Barbeau (then Mrs John Carpenter)
advertising the town celebration the following evening and mayoress Janet
Leigh (Psycho ) putting the last minute touches to make events run
smoothly, all you need is for scream queen (and real life daughter)
Curtis (Halloween ) to show up and the fog can move in and
start killing off victims.
All of which could be pretty desperate were it not for Carpenter's aural
and visual choreography which turns the piece into a beautifully
understated exercise in style. Any sequence you care to pick - from the
shattering clocks, to the simple pounding on the door whenever the
ghostly seamen show up at a house, to just about anything, is a joy to
watch. Of course, a pretty good print (twenty years old and only the
occasional scratch) and a good transfer (even if a little dark in
places) helps a great deal.
Carpenter's 2.35:1 visuals always feel made for LD and this is no
exception. He really uses the edges of the widescreen frame too - losing
them, you'd miss (for instance) Jamie Lee entering a car to hitch a
ride, or the petrol pump nozzle leaping off its hook oractually, like
most Carpenter, a full screened version of this is something you really
wouldn't want to think about. But in 2.35:1, it looks great.
The sound is, if anything, even more impressive. The incredible mono mix
achieves atmosphere few contemporary mixes even approach with side and
rear channels. Ticking clocks, church bells, electronic pulses and
repetitive piano refrains are just some of the effects used, each and
every one of them to great effect. The radio station device employs jazz
to counterpoint the terrible events unfolding in the town - and an
effective little directorial move it is too.
Chaptering is extensive and in all the right places, but the side break
39 minutes in is less satisfactory. The first reel fades to black at 24
minutes, the perfect point for a break which would enable Pioneer to put
the superb opening sequence in CAV, but instead we have two sides in CLV
- bit of a waste on an 87 minute movie. Still, The Fog remains a great
little film, a must for Carpenter fans and highly recommended for
everyone else. Pity there's no trailer though.
Film: 5/5
Picture: 4/5
Sound: 5/5
Review copyright © Jeremy Clarke, 1998.
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