at Bryn Terfel's Faenol Festival 2004, Bangor, North Wales
Saturday 28th August 2004
Small World Big Band 3
Ten thousand people chanced the elements,
for an outstanding double - bill of Jazz and Rhythm and Blues at Bryn Terfel's
Faenol Festival near Bangor. The dramatic setting of the Faenol Estate, at the
foot of the Snowdonia National Park, was made even more spectacular as storm
clouds gathered and threatened to wash out the concert.
Thankfully, the weather held out as hundreds of picnic hampers opened up, with
candleabra adding elegance as champagne and wine bottles popped around the
natural bowl.
Top of the bill was Jools Holland and his Rhythm and Blues
Orchestra, supported by new Jazz sensation Jamie Cullum. Holland and
his merry band are always great value for money.This night he seemed to turn
on the style even more for his debut in the prinicipality, as he romped
through a 90 minute set full of zest and pace. His output was unrelenting as
he delved into old standards and tributes to one of his heros, Ray Charles.
Not the greatest of singers, dapper Jools dressed in familiar trendy suit and
winckle-picker black shoes, as he held court in customary manner. Holland
clearly relishes playing live, and grinned his way through the whole night as
the atmosphere grew with every song. Facially, he's grown a uncultured goaty
beard, and looked remarkably like film star Charles Bronson.
The introduction of Sam Brown (daughter of '60s star Joe Brown) and Ruby Turner
added a touch of vocal class, particularly Turner's soulful renditions. The
introduction of guest pianist and support artist Jamie Cullum set the venue
alight, as thousands let their hair down, along with a rush to the stage front.
Close-up, fast-fingered Holland was an absolute delight to witness in full
flow, as he easily switched styles from the Blues, to Rhythm and Blues to
Reggae. His Rhythm and Blues Orchestra is a tried and tested solid outfit, and
he is very respectful of their fantastic contribution - for without them there
is no show. He regularly introduces and praises individual members. Particular
attention was given to Ska creator and trombonist Rico Rodreguez as the collective
played one of his most famous songs - an instrumental version of The Specials'
A Message To You Rudy.
Each song had its own merits, and there are many that he draws from his huge
back catalogue, but the most memorable was Valentine Moon, co-written
by Sam Brown and Jools Holland. Her smoky larynx turned the love ballad into
an absolute showstopper.
Twentysomething
Bright young thing - bubbly Jamie Cullum - is making serious waves in the
music industry. Initial scepticism because of his street - cred appearance is
rapidly being blown away by some pretty impressive performances - and this was
no exception.
The diminutive 24-year-old Wiltshire lad is fun, funky and formidable. Full of
confidence and excitement at playing to probably his biggest audience to date,
he won the hearts and minds of all ages. Though not in the same league as Harry
Connick Jnr, he has added a common touch and 21 century twist to both new and
old standards. Behind the frisky showmanship there is real musical talent.
Whereas Katie Mellua is MOR, Cullum really can cut the mustard in the true
Jazz sense, and should never to be labelled lightweight.
Cullum is entering a brave new world, as he brings Jazz into the mainstream
musical arena. His Twentysomething CD is the fastest selling Jazz album
of all time in the UK, and he is now officially the best selling UK Jazz artist
ever. Cullum is also good for another reason, as he will undoubtedly lead younger
listeners to seek out the greats from the past. His 60-minute set began with an
unconventional cover of Bob Dylan's The Wind Cries Mary. He then
moved on to some well known classics, I Get A Kick Out Of You, and What
A Difference A Day Makes.
Tracks from his debut CD, Pointless Nostalgic, got an airing, then it
was back to some 'sound-trackers ' like I Could Have Danced All Night. Halfway
through the set he wandered into the audience, with women flocking to get
close. Turning into the Pied Piper of Jazz they followed him through the aisles
back to the stage. His vocal range isn't great, and there's an undeniable American
lilt to his singing. However, Cullum and his two supporting musicians make an
incredible sound as a trio.
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Small World Big Band 3
Twentysomething
Review & concert pics copyright © Elly Roberts, 2004-2010.