After watching the farcical Eurovision Song Contest,
it was great to be back to real music. Some months ago I invested in the superb
‘ Acoustic 2 ‘ double CD. A track called Glory Box by singer – songwriter
John Martyn (right) led me to rediscover this mercurial genius once again. Born
Iain David McGeachy in New Malden Surrey, he spent his early years in Glasgow,
eventually learning the guitar under the spell of Hamish Imlach. In the 70’s he reached
cult status in the UK, and by the response he was given at Liverpool’s Royal Court Theatre, things haven’t changed much.
A rowdy near capacity crowd went into raptures as the bulky, balding and bearded hero
took to the sparsely lit stage. The 56 year old, who resembles a Glaswegian docker,
has just released his 22nd studio album On The Cobles, and is set to
continue his ethno – eclecticism range, and is enjoying something of career
renaissance. Working in the past with the likes of Phil Collins, Eric Clapton
and Jamaican troubadour Lee ‘ Scratch ‘ Perry, he has developed a truly universal
style and appeal which culminated in a song contribution to the soundtrack for
The Talented Mr Ripley in 2000. His elliptical songwriting led him to
being the first white artist to be signed to Island Records in 1968.
Not only does he bend the strings beautifully, he also bends the rules – blurring
the genre confines of jazz, blues, folk and reggae. On this night it all came
together in a stunning two part set of old and new songs which included
Man In The Station, I Don’t Want To know, Creator, Johnny Too Bad, She’s A Love / Solid Air.
Perched on a low stool for the entire show, he was barely visible. Backlighting
of the minimalist kind set the sensual atmosphere, as he grappled with the multi – fusioning
set, which had heavy jazz overtones. There were moments of his blues
credibility, as he cradled his electric and acoustic guitars. Early vocal
recordings show a lightweight singer, but now he’s got one of the sexiest and
roughest larynx’s in the business. He almost made love to the microphone, as
his macho tones enveloped the theatre.
Song breaks brought almost unintelligible banter, not helped by his broad Glaswegian
lilt. Clearly reinvigorated by his new found love, his mood was jovial to an
extreme. Highlight of the gig was his acoustic work on Easy Blues and
Make No Mistake, which brought roars of approval. The band – Spencer
Cozens on keys, Arran Ahmun on drums and John Gilbin were outstanding,
particularly Cozens’ numerous jazzy forays. Women were swooning at his handling
of the lyrics, which seemed dreamier as the night wore on.
I confess, I was in total awe of the man. The magic continues.
Support act, Eva Abraham showed great promise as an excellent all –
rounder. Her disciplined dulcet tones drew parallels with songbird Eva Cassidy.
Playing tracks from her forthcoming album Shadow Gazing she proved to be
confident and relaxed in delivering her self – penned autobiographical work.
As the album title suggests she’s hoping to reach to top, and on the evidence
of this set she’s heading in the right direction. The CD finds her too
controlled, but she found her feet and let rip on some very passionate lyrics,
on songs like It Breaks.
As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B
37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.
PC games reviewed by the editor are on:
Since Jan 2011: Intel Quad Core Dell XPS 8100, i7 CPU 860 @ 2.80Ghz, 8Gb RAM, nVidia GeForce GTS 240, Windows 7
Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP