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Dan Owen reviews

Underworld: Evolution

Viewed at Odeon, Lincoln Wharf

Cover Underworld: Special Edition

  • Cert:
  • Running time: 105 minutes
  • Year: 2006
  • Released: 20th January 2006
  • Widescreen Ratio: 2.35:1
  • Sound: Dolby Digital 5.1

Director:

    Len Wiseman (Underworld, Underworld: Evolution)

Producers:

    David Coatsworth, Gary Lucchesi, Danny McBride, James McQuaid, Tom Rosenberg, Skip Williamson & Richard S Wright

Screenplay:

    Danny McBride (from a story by Len Wiseman, based on characters created by Kevin Grevioux, Danny McBride & Len Wiseman)

Cinematographer:

    Simon Duggan

Music:

    Marco Beltrami (Terminator 3)

Cast:

    Selene: Kate Beckinsale
    Michael: Scott Speedman
    Marcus: Tony Curran
    Corvinus: Sir Derek Jacobi
    Viktor: Bill Nighy
    Tanis: Steven Mackintosh
    Kraven: Shane Brolly


Cover The first Underworld was a huge disappointment. It promised Matrix-style visuals mixed with a ferocious werewolves versus vampires storyline with plenty of bite. What we got was low-rent Romeo & Juliet, seen through the eyes of a director weined on MTV music videos. Its saving grace was some sporadically entertaining action sequences, Kate Beckinsale's sultry pout and Bill Nighy's eminently enjoyable turn as uber-vampire Viktor.

Given the first movie's critical panning, it's something of an achievement that a sequel was even discussed, let alone released theatrically with its lead actress intact just a few years later. Oh, the price of marriage, eh Mrs Wiseman?


Underworld: Evolution continues the story from the exact point we left it - after a text legend that recaps the film's mythology and a fun flashback to the Middle Ages where horse-riding vampires raize a werewolf infested village to the ground. Despite these attempts, this sequel will still confuse newcomers and no doubt leave them bamboozled until the basic thrust of the story finally gels together towards the end.

You see, while the plot is hardly taxing, its execution is choppy and reliant on huge cliches even Stephen Sommers wouldn't dare write (oh, wait, I forgot about The Mummy Returns). The upshot is that "death dealer" (ie, "vampire assassin") Selene is on the run from fellow vampires with her hunky boyfriend Michael - who's actually a cross-breed of vampire and Lycan (ie, "werewolf"). The age-old battle between vampire and lycan is still ongoing - but now Marcus, the first vampire, needs Selene's blood so he can locate the resting place of his brother William - the first lycan.

It's a plot straight from a Playstation game, which is what this resembles most of the time, and one where a few of the story's turning points are actually given away in the opening legend! Arse.

Still, amazingly Underworld: Evolution is still an improvement on its predecessor, but only through virtue of better special-effects and absence of a mid-section slump in action sequences. Fundamentally, Evolution is much more of much the same, but blessed with a satisfying villain in Marcus (Tony Curran - well, powerful when in full make-up anyway...) and the acting chops of Nighy (a mere cameo, but fun) and Derek Jacobi (good value, yet criminally underused).


We expect ageing British thespians to take the pay cheque and run with silly Hollywood bunkum like this, but promising young starlet Kate Beckinsale is so much better than this tripe. After her "breakout" role in Pearl Harbor, she could have put Underworld down to a misstep, but to sign up for its unnecessary sequel is just sheer dumbness - no doubt encourage by husband-director Len Wiseman. Here's hoping Wiseman allows his wife to continue her career trajectory to better things - even though Evolution leaves the gate wide open for an even more pointless sequel. Maybe once the Honeymoon period is over...?

However, there's no denying that Beckinsale is a believable action heroine with the limited range her character embodies. Despite her small waif-like stature, she can shoot guns like a good 'un. But that's all Selene is, really - a gun-firing waif in a skintight catsuit with a pout.

Elsewhere, Scott Speedman reminds us why his career stagnated after the first Underworld. If you want a boring all-American jock with good pecs - he's your man. Speedman is again condemned to grimmace through make-up that makes him look like a particularly non-threatening combination of a blue Incredible Hulk and a Neanderthal man. A risible "twist" at the end with his character also beggars belief.

As always with these movies, the dependable British actors in villainous roles somehow get away with it. Nighy and Jacobi phone in their performances, true, but they're nevertheless watchable onscreen presences. Tony Curran (The League Of Extraordinary Gentleman) makes a strong impression as new villain Marcus, particularly when hidden by layers of Nosferati-esque prosthetics and aided by some fantastic killer wings.

The special-effects aren't a quantum leap from the first movie's, but there are more of them and they're generally better refined. The werewolf transformations are smoother, all the CGI creatures are more believable (save for a few dodgy shots in a mediavel village) and the resulting fight sequences are often quite bruising. A scene with vampire Marcus flapping bat-like around a truck being driven by Selene is a particular highlight, as is the climactic showdown (just don't mention the animatronic wolf straight out of Dog Soldiers...)


Overall, Underworld: Evolution is silly, derivative, aimless, and acting low-points for all concerned, but it's also an improvement over the first movie due to pacing and effects work. You'd be advised to watch the first movie before coming to the sequel obviously, as Evolution is, essentially, the first movie's "Act IV".

The fact the door's open for "Act V" will be the cause for alarm or joy depending on how well you can take two hours of vampires beating up werewolves. Personally, take this on its own merits and it's an entertaining, yet instantly forgettable, way of spending a few hours...


DIRECTION
PERFORMANCES
PLOT
MUSIC & SOUND
SPECIAL FX




OVERALL

Review copyright © Dan Owen, 2006.

E-mail Dan Owen

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DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and played through a Sony STR-DB930 amplifier.

PC games reviewed by the editor are on:

  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP