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Dan Owen reviews

Star Wars Episode III: Revenge of the Sith

The Saga Is Complete.

Viewed at Odeon, Lincoln Wharf

Cover Star Wars Trilogy:
Star Wars Ep.I:
Star Wars Ep.II:

  • Cert:
  • Running time: 140 minutes
  • Year: 2005
  • Released: 19th May 2005
  • Widescreen Ratio: 2.35:1
  • Sound: DTS-ES, Dolby Digital EX 6.1, SDDS

Director:

    George Lucas (American Graffiti, Star Wars Episode I: The Phantom Menace, Star Wars Episode II: Attack of the Clones, Star Wars Episode III: Revenge of the Sith, Star Wars Episode IV: A New Hope, THX 1138)

Producers:

    George Lucas & Rick McCallum

Screenplay:

    George Lucas

Cinematographer:

    David Tattersall

Music:

    John Williams

Cast:

    Obi Wan Kenobi: Ewan MacGregor
    Anakin Skywalker / Darth Vader: Hayden Christensen
    Chancellor Palpatine / Darth Sidius: Ian McDiarmid
    Padme Amidala: Natalie Portman
    Mace Windu: Samuel L. Jackson
    Yoda (voice): Frank Oz
    Senator Bale Organa: Jimmy Smitts
    R2-D2: Kenny Baker
    C3-PO: Anthony Daniels
    Chewbacca: Peter Mayhew
    Count Dooku: Christopher Lee
    Darth Vader (voice): James Earl Jones (uncredited)
    Baron Papanoida: George Lucas (uncredited)


The circle is complete.

It has taken nearly 30 years and 6 movies, but George Lucas' science-fantasy saga has finally called it a day. Star Wars Episode III: Revenge Of The Sith (ROTS) is the final instalment of the "prequel trilogy", begun in 1999 with the infamous Phantom Menace and continued in earnest with 2002's Attack Of The Clones.

The prequels have come under fire from most quarters, who find their technical prowess is directly juxtaposed with their emotional emptiness. Revenge Of The Sith, while hardly a resounding success, is at least less guilty than its forbearers.


Episode III kicks off with an epic space battle - frustratingly absent from the rest of the prequels - that manages to be both exciting, visually interesting, and actually quite a good escapade for Obi Wan Kenobi (Ewan MacGregor), Anakin Skywalker (Hayden Christensen) and R2-D2 (Kenny Baker, well most of the time) to be involved in.

The Clones Wars are drawing to a close, with the Separatists - led by Count Dooku (Christopher Lee) - kidnapping Chancellor Palpatine (Ian McDiarmid). with intrepid Jedi Knights Skywalker and Kenobi tasked to rescue him.

If you have no idea what The Clone Wars are, you should perhaps stop reading here (or check out the rather excellent Cartoon Network animation on the subject). Episode III, being the third in a series of six movies, isn't for non-fans. If you have never heard of Jedi Knights, The Force and Darth Vader. you have little hope of ringing much enjoyment from this movie beyond its visual eye-candy.

Of course, ROTS is primarily concerned with the juicy aspects of the prequel canon (nay, "the point" of their existence), namely Anakin Skywalker descent into evil and subsequent rebirth as Darth Vader, a Dark Lord Of The Sith who will dominate the next three movies - and the nightmares of kids born in the 1970s.


One thing you can't fault ROTS with is a sense of pace. Of course, Lucas almost has visual Tourettes Syndrome when it comes to throwing special-effects at a scene, and some key moments are almost drowned in background detail.

That said, the plot (while still flimsy) is at least absent of baggage and set-up, unlike its predecessors. Episode III is Lucas' last chance to get it right and please those fans unhappy with Episodes I and II. For much of its running time, ROTS succeeds on its own terms, but those looking for a giant leap in storytelling, acting and dialogue terms are still going to be left wanting.

The main problem with Episode III lies with its characters. Ewan MacGregor tries admirably, and ROTS is definitely his finest moment, but his stoicism (only broken in a climactic lightsabre battle with Skywalker) is deathly dull.

Hayden Christen (who has proven himself a good actor elsewhere) is hampered with more trite dialogue and a character arc that has him going from frowning twenty-something to mass-murdering megalomaniac in a single scene. Lucas has had three entire movies to make this transition believable, but while Anakin is believable as an arrogant power-hungry youth. his crossing to The Dark Side remains wholly unbelievable.

Ian McDiarmid is the only actor to escape the prequels with genuine face, bringing a suave and evil attitude to his scenes that only great British actors can seemingly muster. Deep down, he knows this is all hokum, but plays to its ludicrousness with great aplomb. Save a few unfortunate facial mugs to camera (more likely to elicit laughter than fear) McDiarmid is undoubtedly Episode III's saving grace.

The rest of the cast barely get a half-way decent scene. Natalie Portman, another amazingly talented actress, performs competently with the sub-standard dialogue, while Samuel L. Jackson continues his underwhelming work as Mace Windu. Mace gets a genuinely thrilling face-off with McDiarmid, however, so I guess Jackson can walk away happy. Elsewhere, Star Wars stalwart and cultural icon C3-PO (Anthony Daniels) is reduced to almost a cameo appearance. Still, he does get the last line of the prequels and first line of the original trilogy.


As always, the visual effects are of a superb calibre. Those ILM boys really know their stuff, and while there continues to be a distancing effect from CGI (generally) there's still no denying its ability to enthral an audience through sheer scope.

However, Lucas would do well to consider that one indisputably exciting shot consists of real actors, dressed in real Wookie costumes, running across a real beach. The accompanying shots of CGI ships and Clone Troopers pale beside this one moment of "old-fashioned" reality.

In a similar vein, the supposed villain of ROTS (until Lord Vader makes his appearance) is cyborg alien General Grievous. Grievous is a fully CGI creation that, therefore, lacks the impact of Episode I's Darth Maul straightaway, and is actually conceived as a rather underwhelming baddie by way of a hacking cough and complete lack of Jedi-slaying ability - despite having four lightsabres to "multi-hand"...

On the plus side; John Williams' music is another fine entry, outperforming even ILM with its ability to suck an audience into the Star Wars universe. While Williams' work on Episode I and II was also solid enough, those scores are undoubtedly eclipsed by Episode III - primarily because it weaves in more recognisable themes from the Original Trilogy (the moment Vader's Imperial March stirs will have fans shaking in their seats...)


Revenge Of The Sith is enjoyable throughout, although the excessive CGI quickly becomes quite tiresome. Sequences that employ visuals with an undercurrent of something approaching emotional weight work much better, though - consider the Yoda vs Sidius encounter in the Senate, or the Kenobi vs Skywalker showdown on the volcanic planet Mustafar for proof.

It's true that, while a large portion of Episode III remains frustratingly overstuffed yet under-nourishing for casual audiences, the film begins to achieve its ambition in the last half hour. Here, Lucas manages to slowly "regress" the set-design back to the stark whites and dirty browns of 1977, so that the final moment with Darth Vader and The Emperor aboard a Star Destroyer seems like the perfect segue into Episode IV...

Fans will delight with many references to the Original Trilogy throughout, with the long-awaited answers to key questions that "bridge" the two trilogies being answered with (mostly) satisfactory results. Quite how Darth Vader never seems to recognize C3-PO or R2-D2 will perhaps forever remain a mystery.

Overall, as perhaps expected, Episode III is the best prequel and the fourth best Star Wars movie ever made (mainly due to Return Of The Jedi's finale). Technically, ROTS is mostly unrivalled, but the lack of storytelling finesse and genuinely appealing characters means Episode III will forever be thought of as "the best of a bad bunch".


DIRECTION
PERFORMANCES
SPECIAL FX
SOUND/MUSIC



OVERALL

Review copyright © Dan Owen, 2005.

E-mail Dan Owen

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DVDfever.co.uk - Est. February 25th 2000

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