DVDfever.co.uk - Charts, News and Reviews of Blu-rays, DVDs, Games, CDs, Hardware, Laserdiscs, Cinema Films & more
DVDfever.co.uk - Charts, News and Reviews of DVDs, Games, Hardware, Laserdiscs, Cinema Films & more

This Week's Highlights
The King's Speech
Thor 3D
Crysis 2
Music chart
analysis w/e 14.5.11
New Blu-ray &
DVDs out 9.5.11
David Tennant
@ DVDfever Youtube

Last updated
May 11 2011

Xbox Gamertag:
DVDfever co uk

Why films on TV
in their original
widescreen ratio
is good for you

News & Views
News Archive
Announcements
All About Us
Email Dom
Write 4 DVDfever
Competitions
Music Charts
Music Chart Archive
Games Chart Archive
Cinema Chart Archive
Cinema Releases
Cinema Reviews
Press Releases
TV Issues

Frank Sidebottom's World Wide Shed

R2 DVD Reviews
Blu-ray Reviews
HD-DVD Reviews
R1 DVD Reviews
R3-6 DVD Reviews
DVD List
Xbox 360 Reviews
CD Reviews
Audiobook Reviews
PS2 Reviews
PSP Reviews
Xbox Reviews
Gamecube Revs
GBA Reviews
PC Reviews
Hardware Revs
Concert Reviews
Video Reviews
Comedy Reviews
Book Reviews
Screenplay Reviews
Movie Downloads
Interviews
TV Shows
PSX Reviews
N64 Reviews
Dreamcast Revs
Laserdisc Revs
Short Stories
DVDs In Brief

Right To Reply
Why Widescreen?
DVD Links
Music Links
WS Video List
WS PAL LD List

Me and my
Aortic Valve!

Latest News ...... DVD Reviews ...... Blu-ray Reviews ...... Xbox 360 Reviews ...... PSP Reviews ...... CD Reviews

Dan Owen reviews

Matrix Revolutions

Everything That Has A Beginning Has An End.

Viewed at Odeon, Lincoln Wharf

Cover
  • Cert:
  • Running time: 129 minutes
  • Year: 2003
  • Released Worldwide: 5th August 2003, 2pm GMT
  • Widescreen Ratio: 2.35:1
  • Sound: DTS, Dolby Digital, SDDS

Director:

    Larry Wachowski & Andy Wachowski (Bound, The Matrix, The Matrix Reloaded, The Matrix Revolutions)

Producers:

    Bruce Berman, Grant Hill, Joel Silver, Andy Wachowski & Larry Wachowski

Screenplay:

    Larry Wachowski & Andy Wachowski (Assassins, Bound, The Matrix, The Matrix Reloaded, The Matrix Revolutions)

Cinematography:

    Bill Pope

Music:

    Don Davis

Cast:

    Neo/Thomas Anderson: Keanu Reeves
    Trinity: Carrie-Anne Moss
    Morpheus: Laurence Fishburne
    Agent Smith: Hugo Weaving
    Niobe: Jada Pinkett Smith
    The Oracle: Mary Alice
    Bane: Ian Bliss
    Link: Harold Perrineau
    Lock: Harry J. Lennix
    Persephone: Monica Bellucci
    Merovingian: Lambert Wilson
    Seraph: Sing Ngai
    Zee: Nona M. Gaye
    Kid: Clayton Watson
    Sati: Tanveer Atwal
    Trainman: Bruce Spence


For every beginning there is an end.

That beginning came in 1999, when The Matrix became a surprise blockbuster hit in a summer many thought would be dominated by Star Wars Episode I. Now, nearly five years later, the Matrix trilogy is complete.

While many criticized the first sequel, The Matrix Reloaded for its chaotic plotting and reliance on spectacle, others praised its deepening of the franchise's mythology and disregard of blockbuster convention. Can you name another action movie that chooses to climax on a conversation with a bearded man? (DVDfever Dom adds: "The Ten Commandments?... I'll get me coat.")

But it's true that Reloaded, while an exciting technical marvel, didn't deliver the same emotional impact of its more cerebral predecessor. So has The Matrix Revolutions delivered the goods?


Revolutions continues exactly where Reloaded climaxed - with Neo comatose in a limbo state, the human city of Zion facing imminent destruction by machines and with rogue Agent Smith busily cloning himself throughout The Matrix's population.

Unlike the agenda-setting Reloaded, Revolutions benefits greatly from an increased sense of urgency. The pacing is much brisker, despite the occasional sojourn into philosophical musings, and the characters all have something far more tangible to threaten them. A spark of energy that was lacking in Reloaded makes a welcome return, and characters that previously seemed bland and unremarkable become more real - particularly the "annoying" Kid character introduced in Reloaded.

Of course, the special-effects are extraordinarily effective, but deservedly not the focus. Reloaded's dense plotting meant it had to be alleviated by two somewhat pointless sequences (the burly brawl fight with a hundred Smiths and the freeway car chase), but Revolutions' own set-pieces are integral to the plot and therefore far more enjoyable.

The pivotal action sequence between the humans of Zion and the machines is an immensely satisfying and exciting moment of contemporary action cinema. Likewise, the climactic battle between Neo and Agent Smith in a rain-soaked malfunctioning Matrix is supreme entertainment and wonderful to behold.


Sadly, the acting remains stuck in a venerable state between remote and intellectual. Keanu Reeves and Carrie-Anne Moss continue to stare at each other with doe-eyes, while Laurence Fishburne generally acts quietly confident.

As always, only Hugo Weaving as the mischievous Agent Smith has any tangible fun with his role, bringing great sophistication, malice and humour to his role. Ironically, he's by far the most human character.

Sadly, Lambert Wilson and Monica Bellucci's roles as enigmatic Matrix programs are criminally small. In fact, Bellucci barely speaks and Wilson's role as the dastardly Merovingian becomes a minor subplot that dead-ends far too abruptly. One can't help thinking an opportunity with these characters was missed, particularly when remembering their important roles in Reloaded.

A special mention must go to Mary Alice, who replaces the late Gloria Foster in the role of the all-seeing Oracle. Changing an actress during a trilogy is always very risky, but thankfully Alice brings a great deal of grace to the role and should be commended for doing a great job under difficult circumstances.

But in the world of The Matrix, premise is king. While the uniqueness of The Matrix will never be bettered, Reloaded managed to throw some intellectual curve-balls into the equation, and Revolutions successfully manages to bring them all to a fitting conclusion.

Rather remarkably, the finale to Revolutions is neat, tidy and generally very logical. Of course, there are still threads left dangling and a few leaps of logic are required from the audience... but the Wachowski Brothers should be congratulated by avoiding the one pitfall that could have shipwrecked their trilogy's legacy: a duff ending.


The Matrix remains the classic piece of filmmaking - a magnificent mix of styles and ideas that shook the movie world on the eve of the millennium. The Matrix Reloaded was an enjoyable bridge between the trilogy, packed with some crazy visuals and philosophical layering, and The Matrix Revolutions is the emotional pay-off for the Wachowski Brothers 6-hour epic.

Imaginative and stylish, the films are almost a sci-fi opera with special-effects replacing the songs. The Matrix Trilogy may have its detractors (name me a film that doesn't!) but there's no denying its impact on the social consciousness and the sheer joy in watching the trilogy takes it final bow.

I'll certainly miss entering The Matrix.


DIRECTION
PERFORMANCES
PLOT
SPECIAL FX
MUSIC/SOUND




OVERALL

Review copyright © Dan Owen, 2003.

E-mail Dan Owen

[Up to the top of this page]

DVDfever.co.uk - Est. February 25th 2000

As of April 2009, Blu-rays and DVDs reviewed by the editor are watched on a Panasonic TH-37PX80B 37" Plasma TV with a Sony BDP-1500 Blu-ray player and played through a Yamaha DSP-AX820 amplifier.

PC games reviewed by the editor are on:

  • Since Jan 2011: Intel Quad Core Dell XPS 8100, i7 CPU 860 @ 2.80Ghz, 8Gb RAM, nVidia GeForce GTS 240, Windows 7
  • Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
  • Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
  • Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
  • Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
  • Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP