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Dan Owen reviews
Kill Bill Vol.1
"Here comes the bride"
Distributed by
Miramax Home Entertainment
Producers:
Lawrence Bender, Koko Maeda, Dede Nickerson, Kwame Parker, Erica Steinberg, E. Bennett Walsh, Bob Weinstein & Harvey Weinstein
Screenplay:
(Based on the character 'The Bride', created by Quentin Tarantino & Uma Thurman)
Music:
("Wound That Heals")
The RZA & D.A. Young ("Armundo")
Cinematographer:
Cast:
The Bride: Uma Thurman
Elle Driver: Daryl Hannah
Vernita Green: Vivica A. Fox
Bill: David Carradine
O-Ren Ishii: Lucy Liu
Hattori Hanzo: Sonny Chiba
Go-Go Yubari: Chiaki Kuriyama
Budd: Michael Madsen
Earl McGraw: Michael Parks
This is the fourth film by Quentin Tarantino,
- well, better late than never.
Tarantino, the undoubted king of independent cinema throughout the '90s,
thanks to heist thriller
Reservoir Dogs
and gangster epic
Pulp Fiction,
was
in serious danger of having his crown reclaimed after apparently going
A.W.O.L after the release of 1997's
Jackie Brown.
But now, five years later,
Tarantino has finally returned, blasting onto cinema screens with Kill Bill
Volume I, a vengeance-fuelled kung-fu epic.
Kill Bill Volume I continues the tradition of Tarantino's love affair with
'70s exploitation movies - this time focusing on the oriental passion for
high-octane martial arts slug-fests.
Uma Thurman stars as "The Bride", a pregnant member of the Deadly Viper
Assassination Squad (DiVAS), whose fellow assassins rudely gatecrash her
wedding, slaughter the congregation and leave her for dead. Years later, The
Bride awakens from a coma and vows to avenge her marital bloodbath by
systematically murdering her ex-colleagues one-by-one... until she comes
face-to-face with their leader, and ex-lover, the titular Bill (Carradine).
It's a plot that has been trodden hundreds of times before in movies,
particularly in the two genres Tarantino affectionately pays homage to
throughout this opus - Asian chop-socky and spaghetti westerns. As always
with Tarantino, the great pleasure in his work is how he manages to take
age-old plots and outdated styles and make them work for contemporary
audiences. Kill Bill Volume I is a cinematic adrenaline rush of crash-zooms,
snappy edits, poetic slow-motion, eclectic music, eye-popping gore and
violent Japanese animation.
Uma Thurman plays the nameless female assassin with great composure,
managing to endow a fairly one-dimensional character with emotional
conviction and physical dexterity. The other characters, in Volume I anyway,
almost become window dressing, but all are engagingly drawn paradigms of
evildoers: from Daryl Hannah's eye-patched bitch, Vivica A. Fox's spunky
hard-ass, to Lucy Liu's icy crime Queen of Tokyo. Other characters linger in
the darkness, glimpsed only in flashbacks - so judgment should be reserved
for Michael Madsen's Budd and David Carradine's Bill until Volume II rolls
into town...
Taken as a single entity, Volume I is merely an appetiser for what will
hopefully be a glorious main course. The infamous eleventh hour decision to
chop the movie in two seems well judged, because Volume I manages not to
outstay its welcome and satisfy audiences without becoming monotonous due to
its intrinsically simplistic "find and destroy" ethic. For all its
entertaining vibrancy, I doubt Kill Bill would work quite as well as four
hour odyssey.
So, in one-finger salute to cynics, Kill Bill Volume I is a resounding
success, and should appeal to its target audience of young males and perhaps
draw in the clued-up older crowd who remember the 70's source material
Tarantino draws from and revamps for today's MTV-generation.
As a director, Tarantino is clearly flexing his muscles with great bravado
throughout, managing to create some of the freshest fight sequences in
recent memory (stomping all over
The Matrix's
computer enhancements with
convincing stunts and old-fashioned camera prowess.) The only real complaint
is the lack of Tarantino's trademark dialogue - expected to return in Volume
II, high-kicking into cinemas at the time this review went online...
The 2.35:1 anamorphic widescreen picture is crystal clear and sumptuous to
behold - with no real flaws to speak of. A glorious example of what a
professionally sampled DVD can achieve. The Dolby Digital 5.1 sound is also
impressive, with great range and handling of the sonic effects (check out
Go-Go's ball and chain), plus a general ease with Tarantino's musical tracks
peppered throughout the film.
Sadly, in the extra features department, Kill Bill Volume I is a very
disappointing disc from 'Miramax', undoubtedly to be improved upon within
the year. The DVD only gives us one extra feature to speak of - 'The Making
Of Kill Bill'. This is a frustratingly short featurette, but manages to pack
quite a lot of detail and interesting sound bites from all concerned -
particularly Tarantino himself, who can always be relied upon to spin a good
movie-making yarn. The eagle-eyed should also have fun spotting footage that
obviously comes from Volume II.
Elsewhere on the disc, there are two music videos featuring "The 5,6,7,8's",
the band who featured in The House Of Blue Leaves chapter of the movie, and
trailers for every Tarantino film (including a Kill Bill Volume II teaser.)
And that's basically your lot. The menu screens are nicely designed, of
course, but the lack of material on the disc is a big disappointment -
particularly as Tarantino swore the DVD would be packed with goodies. Of
course, a 'Special Edition' disc or "twin pack" of both movies will probably
appear before the end of 2004, so aficionados may be best off renting Volume
I and only buying when a more comprehensive disc is released.
THE MOVIE
DIRECTION
PLOT
PERFORMANCES
SPECIAL FX
MUSIC & SOUND
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OVERALL
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THE DVD
PICTURE
SOUND
PACKAGING
MENU SCREENS
EXTRAS
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OVERALL
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Review copyright © Dan Owen, 2004.
The following is a list of all the Quentin Tarantino movies online to date
(region 2, except where specified) :
2004 Kill Bill Vol.2
2004 Kill Bill Vol.1
2004 Kill Bill Vol.1 (R1 DVD)
2004 Reservoir Dogs: Special Edition
2002 Jackie Brown: Collector's Edition (R1 DVD)
2002 Pulp Fiction: Classic Collection Box Set
2000 Reservoir Dogs
DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV
connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and
played through a Sony STR-DB930 amplifier.
PC games reviewed by the editor are on:
Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP
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