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Dan Owen reviews

Cypher

Distributed by
VCI


From the creative mind of Vincenzo Natali, director of low-budget hit Cube, comes another masterful thought-provoker guaranteed to have fans of cerebral science-fiction gripped from beginning to end. Debut screenwriter Brian King has crafted a wonderful, involving slice of paranoia that riffs on classic 60's espionage thrillers. Jeremy Northam plays Morgan Sullivan, a shy suburban husband, whose desire for a more exciting life leads him to DigiCorp - a business conglomerate that gives Sullivan a new identity (Jack Thursby) and turns him into a spy within various commerce trade fairs. However, after settling into his jet-set lifestyle, the appearance of a femme fatale called Rita Foster (Lucy Liu) complicates matters beyond all recognition...

To reveal more would do the movie a cruel disservice. Without much budgetary muscle, Cypher is all about plot and character, but the constraints of the production never derail Natali's movie. In fact, the occasional special-effects moment is adeptly handled and neatly integrated into Cypher's stylish film noir atmosphere. King's screenplay rattles along at an enjoyable pace, twisting and turning practically every five minutes to provide an exhilarating workout for the minds of the audience.

Northam is an enjoyable presence onscreen, managing to make Sullivan an "everyman" that, truly, everyone can identity with. Occasionally, the British actor is mentioned as a possible candidate as the next James Bond, and throughout this vastly different espionage adventure you have to admit he'd be an interesting choice.


Lucy Liu's presence is at odds with her usual Hollywood projects (Charlie's Angels, anyone?), but here the actress makes it known that she's fully prepared to sacrifice mainstream commerciality for a decent script, an intriguing role and the chance to work with a fresh talent like Natali. Liu's acting style is very different to Northam, yet this disparity creates potent chemistry and elevates their scenes together ten-fold.

If you're bored to tears with big-budget visual extravaganzas that fail to get you intellectually gripped, Cypher delivers the goods. Natali ensures that the film is thoroughly involving and entertaining from start to finish, packed with decent actors, a multi-layered script, some thrifty-yet-funky visuals and general auteur pizzazz. After the similarly engaging Cube, also shot on a shoestring budget, isn't it about time movie producers gave Natali a chance to flex his muscles amongst the mainstream? On second thoughts, would this be a disservice to the director? Natali clearly relishes constraint and has built a reputation in just two films as a secret gem that only elitist film fans should know about.

Regardless of your opinion, check out Cypher today - a modern classic of independent, low-budget science-fiction.


Cypher arrives on Region 2 DVD in a very stylish silver sleeve, lined with mirrors to give a fractured reflective effect. Inside the sleeve is the keep case of the 2 DVDs, together with a somewhat redundant reprint of the DVDs back cover.

The menu screens are smart, efficient and stylish, but not terribly interactive (particularly on Disc 2's "Extras"). Still, the 1.85:1 anamorphic widescreen picture is of fine quality, faithfully presenting the film and doing a good job with the use of deep blacks, pure whites and murky grey tones. The Dolby Digital 5.1 surround sound is good, particularly during flashbacks and when emanating the sound of a passenger jet, but otherwise Cypher is a movie that doesn't rely very heavily on sonic effects to make its points.

The Extra Features on Disc 2 are sadly quite disappointing. I wasn't expecting very much from a low-budget sci-fi movie that enjoyed only a limited release in cinemas, but the presence of two discs seemed to suggest a treasure trove of goodies were to be had. Sadly this isn't the case. It's bewildering to even think why Cypher warranted two DVDs, anyway, because the film's meagre running time should have ensured there'd be enough room on Disc 1 for the anorexic offering the filmmakers have given fans.

Anyway, beyond the interesting Director's Commentary for cinephiles, there's a very short "Making Of" featurette that doesn't really offer much insight beyond the obvious, a "Behind The Scenes" segment where the director commentates on the special-effects footage and their evolution (actually, quite interesting), some deservedly excised "Deleted Scenes", a "Theatrical Trailer" and some "Interviews" with the cast and crew. To be honest, for a low-budget movie the Extra Features aren't all that bad, but the potential for much more on the second DVD, is infuriating.

Overall, a strong release - most notable for the ingenious DVD packaging design and good reproduction of the film's picture and sound, and less revered for its shaky decision to bundle two DVD's where one would have sufficed...


THE MOVIE

DIRECTION
PERFORMANCES
SPECIAL FX
MUSIC & SOUND



OVERALL

THE DVD

PICTURE
SOUND
PACKAGING
MENU SCREENS
EXTRAS




OVERALL

Review copyright © Dan Owen, 2004.

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