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Dom Robinson interviews

Captain Dale Dye

Platoon: Special Edition Captain Dale Dye played Company Commander Captain Harris in the classic Oliver Stone Vietnam war film Platoon, released as a Special Edition DVD in September 2001 (right).

He has since appeared in scores of other films and worked on them as the technical advisor and it is our great pleasure to be able to interview him in connection with the release of this DVD.

A review of the DVD can be found HERE,


Captain Dale Dye

  • 1. Who are you?
      I'm Captain Dale Dye, U.S. Marine Corps (Ret'd), 22 years active service; retired in 1984 and went into the film business. Born 8th Oct 1944 in Cape Girardeau, Missouri USA.
  • 2. What made you get involved with Platoon?
      Was always a big fan of war movies... naturally... but found that most of them angered or upset me because they did not reflect what I knew to be the reality of military service and combat from my own experience. I decided someone had to fix that... and that someone should be me.
  • 3. How long had you known Oliver Stone before Platoon began filming?
      Just a few weeks actually. I discovered from reading the "trade papers" that he was going to do a film based on his own experience in Vietnam and I wanted to be involved as a test of my theories about how to make realistic films on the subject. I called him one Sunday and introduced myself and told him I thought I knew how to do it better than Hollywood had done it in the past. He listened, decided he liked what he heard and we set up a meeting. Given our common experience as combat soldiers, he saw the value of my theories and we got on with it.
  • 4. What is favourite recollection of work on that film and with Oliver Stone?
      I have many fond memories... but perhaps the most touching for me personally is when we were filming the village scene in which Tom Berenger's character interrogates a village woman and subsequently executes her. We used genuine Vietnamese refugees and they naturally spoke Vietnamese to each other on the set. There was something about hearing that language... those voices... in that setting... that sent both Oliver and I right back to Vietnam. We glanced at each other and then quietly walked off the set. We sat down on a rice paddy dyke... and I put my arm around his shoulders.

      Nothing was said... or needed to be said. We just understood what was happening in each other's minds at that point. We shared the pain and the memories. It was one of the experiences that made us fast friends. We remain that way to this day.

  • 5. You've appeared in many films. How did you first get started in this industry?
      Part of the answer to this question is referred to in your second question. When I retired from active service, I had virtually no civilian skills, so I looked around for something to do that would combine both my interest and my passion. War movies seemed to fit the bill, so I headed for Hollywood with a half-baked idea in mind that I knew how to make better war films. The major studios were - naturally - not very interested in hearing my pitch since they'd been making successful war films for many years without my methods. When I managed to meet Oliver, he understood what I wanted to do and gave me a chance. I believe good acting is about telling the truth... or at least convincing an audience that you're telling the truth.

      To do that - in my opinion - an actor needs to have some nodding acquaintance with what the truth is. So, I strip them of their Show Business personalities and introduce them via full-immersion to the life of a combat infantryman. This involves totally isolating them, reducing them to a lowest common denominator and forcing them to live life in the rough... with all that entails. It's much the same as a young recruit from the UK or US gets when he joins the Marines or some other elite regiment.

    Saving Private Ryan
  • 6. Which has been your favourite film-making experience and why?
      I have two particular favorites among the 40 or so films I've done - other than Platoon. The first is Saving Private Ryan (right), because I think in that project we raised the standard of pictorially representing what combat is like in a full-blown amphibious assault. It required me to sort of play General Eisenhower, running upwards of 1,000 men on the beach, 7 ships at sea, 6 armored vehicles and a whole company of German defenders. I made all that work using five radios from the high ground behind the beach. It was a significant command and control challenge... but we did it.

      Secondly, I'm very proud of the new TV series Band of Brothers which is on HBO in the States and will be on BBC2 here in UK. This series - which took us a year to make - provides a full 10 hours of TV time to tell the story of one American airborne infantry unit and their part in WW II from D-Day to VE Day. It's rare when you get an opportunity to stay with a story and a cast of characters that long. It's also satisfying that my training of the actors was sufficient to keep them in their roles and soldiering (not acting) for an entire year.

  • Captain Dale Dye
  • 7. You've largely played colonels, captains, generals and other members of military personnel. What are your feelings about being typecast?
      It's the nature of my own professional beast, I'm afraid. I love it when I get the rare opportunity to play a doctor, politician or lawyer (villains are particularly fun), but I understand that I'm not the leading man type. What I do in military roles helps me with my overall agenda... which is to help change the stereotypes and misapprehensions about professional soldiers. And it keeps me working.
  • 8. You wrote the story and co-produced Wings of the Apache, originally known as "Fire Birds". Have you any plans to continue in this side of the film business?
      I'm slowly moving into writing, producing... and hopefully, directing. As I get older, the acting roles become more limited and there are only so many war films made in a given period, so I like to keep my eggs spread around in several baskets. I've got some personal stories that I want to get told... and as I move into producing, it's more and more likely that I'll have the clout to get them done.
  • Interview copyright © Dom Robinson, 2001.

    Read the Platoon: Special Edition DVD review: HERE

    For more info on Captain Dale Dye, read his entry in the Internet Movie Database

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