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Dom Robinson reviews

A Civil Action


Distributed by
Universal International Pictures

Viewed at Manchester Showcase Cinemas.
Telephone 0161 220 8765 for programme information

picture
  • Cert: 15
  • Running time: 115 minutes
  • Year: 1998
  • Released: 9th April 1999
  • Widescreen Ratio : 1.85:1
  • Rating: 9/10


Director:

    Steven Zaillian (screenplay: Schindler's List)

Producers:

    Rachel Pfeffer, Robert Redford and Scott Rudin

Screenplay:

    Steven Zaillian (based on the novel by Jonathan Harr)

Original Score :

    Danny Elfman (Batman)

Cast :

    Jan Schlichtmann: John Travolta (Broken Arrow, Carrie, Face/Off, Get Shorty, Grease, Look Who's Talking Trilogy, Michael, Phenomenon, Primary Colors, Pulp Fiction, White Man's Burden)
    Jerome Facher: Robert Duvall (Apocalypse Now, The Apostle, Days Of Thunder, Deep Impact, Falling Down, Godfather I & II, Phenomenon, Rambling Rose)
    Pinder: Stephen Fry (Peter's Friends, Spiceworld: The Movie, Wilde, TV: "Blackadder", "Jeeves and Wooster")
    Al Love: James Gandolfini (Crimson Tide, Fallen, The Juror, Terminal Velocity)
    John Riley: Dan Hedaya (Alien Resurrection, Benny and Joon, Blood Simple, Commando, Daylight, Tightrope)
    Bill Crowley: Zeljko Ivanek
    Judge Walter J. Skinner: John Lithgow (2010, Cliffhanger, Memphis Belle, Raising Cain, Ricochet, TV: "3rd Rock From The Sun")
    James Gordon: William H. Macy (Air Force One, The Client, Fargo, Murder in the First)
    Anne Anderson: Kathleen Quinlan (Airport '77, The Doors, Sunset)
    Kevin Conway: Tony Shalhoub (Big Night, Paulie)
    Al Eustis: Sydney Pollack
    Bankruptcy Judge: Kathy Bates (Dolores Claiborne, Misery, Primary Colors, Titanic, White Palace)


A Civil Action is a compelling courtroom drama based on a true story starring John Travolta as lawyer Jan Schlichtmann, one of three members of a small Boston practice who work on a no-win no-fee basis where every penny counts. Self-made businesses haven't got time for the "little guy" so it comes as no surprise when Jan is surprised by a phone call from Anne Anderson (Kathleen Quinlan) during a radio phone-in, referring to a case which passed through their hands but was turned down because the money it would generate will not pay the rent, not that they made their intentions so explicit at the time.

Eight children died from leukemia, one of them belonging to Anne Anderson, when, it is alleged, the water supply was polluted by two industrial companies working on a section of land nearby whose waste products were pumped out directly into the lake. She doesn't want their money, just an apology from the person or persons responsible, but since it cannot be proved from the offset that either Grace or Beatrice Foods are liable, the case would be lengthy, expensive and certainly not the case for a small-time firm such as Jan's; and he explains this in its clearest terms when he gives in to pressure and agrees to meet the parents of the deceased children.

Things take a turn when, on the way back from their meeting, he gets chance to look at what the industrial companies are up to, chats to Pinder (Stephen Fry), the leader of a environmental organisation who look into pollution incidents such as these and, in time, sets the wheels in motion to take on the case with the drive and determination to win. However, as time presses on and finances are tight, his colleagues begin to despise the position he's put them in as he goes over their heads on occasion with important decisions and the risks increase. If they can hold on long enough, Jan is confident of a sure-fire victory in the form of an apology from those responsible and adequate compensation for the families who have suffered a tragic loss.


John Travolta has easily proved himself the 'comeback kid' of the decade since his return to form in Pulp Fiction following the career that was almost dead with the Look Who's Talking trilogy. The words "cool, calm and confident" are the best descriptions of the performances he has given since his return to the big screen in 1994 in films such as Broken Arrow, Face/Off, Get Shorty, Phenomenon and Primary Colors.

In my opinion, he turns in an Oscar-worthy performance of a man so set against taking on a case that could turn his practice upside-down, only to change in an instant to a man who gives his all to it with equal gusto, to the point where he convinces his business partners to do the same - not an easy task when he's already persuaded them to take one course of action.

Seasoned actor Robert Duvall does an equally impressive turn as rival lawyer Jerome Facher while making the acting process seem effortless. Facher has been in the business for a long time and is the perfect example of a man who is always ahead of the game and knows how to play it. At times his character is as serious as a heart attack, while at others he can be as fallable as the rest of us, but as he explains in a clever scene which mixes real life with his part-time college lecturing position, the trick is not to let anyone know when you're not on the ball.

One surprise in store for me was the welcome presence of comedian/author Stephen Fry as Pinder, the foreman of the team brought in to study the environmental effects of the pollution. He's certainly not the sort of person you expect to find in a big-budget Hollywood drama, but his part works very well and you wish he had more scenes.

Of Jan's colleagues, the best performance comes from William H. Macy as his account James Gordon. Always at his best when given the correct part, Macy's character starts off as cock-sure as Travolta's, but as the money runs out, desperation sets in as the bank refuse to lend any more money and his hopes lie in schemes as elaborate as... lottery tickets and selling off the deeds to their houses. Needless to say, Gordon is on the verge of a nervous breakdown and this is brilliantly portrayed by Macy.

The rest of the cast is a cornucopia of talent. James Gandolfini is one of many industrial workers interviewed by Schlichtmann and co. but will he spill the beans where others have declined? He certainly has good reason to; Dan Hedaya is the enemy of the peace as the foreman responsible for the problem; John Lithgow plays the no-nonsense Judge Walter J. Skinner; the aforementioned Kathleen Quinlan, plus brief cameos from director Sydney Pollack as the head of Grace who has a frank discussion with Jan; and an uncredited appearance from Travolta's Primary Colors co-star Kathy Bates who won an Best Supporting Actress Oscar for her part in that film.


Overall, it'll be hard to find another drama this year which mixes an engaging plot with excellent characterisation and the amount of talent that's on display here. That said, it loses a point for having the occasional slow moment, but makes up for this with an ending that is not afraid to go against the typical way that is Hollywood. I'm not saying that things go completely awry for Schlichtmann and associates - that you will have to find out for yourself - but the path getting there is well worth travelling. It's not all as harsh as it sounds, given the subject matter, as there are plenty of subtle comic touches spread throughout the film, mostly delivered by Messrs. Travolta and Duvall.

Review copyright © Dominic Robinson, 1999.

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DVDfever.co.uk - Est. February 25th 2000

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