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Dom Robinson reviews

Distributed by

MGM


Die Another Day, or 'Bond 20'. Can you find the plot?

Well, there is one but it's nothing to write home about. Bond (Pierce Brosnan) finds himself locked up in a cell for 14 months after bumping off Colonel Moon (Will Yun Lee) in spectacular style, much to the annoyance of his father. However, imprisonment with the Moons of Korea is a more attractive option than spending time with the Moons of Albert Square, but just as he's getting into doing time Bond is released in a trade for an enemy called Zao (Rick Yune) who has a bit of a skin problem after James showed him that diamonds are not a man's best friend.

There's a hospital that's helping patient achieve new identies with DNA transplants and Zao's their latest customer, but after a chase with Bond he leaves diamonds behind that came from lucky billionaire Gustav Graves which look exactly like African conflict diamonds, whatever those are but that doesn't really matter.

Along the line there's a feisty female known as Jinx (Halle Berry) who has her own reasons for going after Zao and together they have to find what really links their Korean friend with Graves - and hope to put both of them in one.



Pierce Brosnan gets the Lynx effect
with the gorgeous Rachel Grant.


Die Another Day features an explosion in a hospital, swordfighting, an explosion in an ice palace, a car chase, a treacherous MI6 employee, a new project from Graves called "Icarus" which harnesses the sun's energy and cause havoc where intended elsewhere - so another explosion or three then, it harks back to previous Bond films such as Jinx coming out of the water, a la Dr. No, plus a line from Toby Stephens when he says "Diamonds are for everyone", an air-sucking moment like Goldfinger's, the dodgy shoe from From Russia With Love. and the jetpack from Thunderball. It's just too self-referrential to be a worthy contender.

See some incredibly iffy CGI work as Bond rides the big one, or dodges General Moon's early attempts to give him a good flaming. Even the one-liners are predictable. There's uncredited cameos from model Anna Edwards as Scorpion Girl, a brief appearance in the ice palace from model Catherine McQueen and aging songstress Madonna, who performs the appalling theme tune, as swordplay watcher Verity.

It does end up as two hours of mildly diverting fluff, albeit far from a classic Bond by any means and not one I'd particularly want to see again. I'm not a fan of Halle Berry's and most of the rest of the cast leaves me cold, like the scenery. Rosamund Pike looks cute when she lets her hair down but in any other scene with Brosnan there's absolutely zero chemistry, particularly in bed. Only Rachel Grant as the masseuse known as Peaceful Fountains of Desire brings a warm glow to my heart...



New to Bond - flying cars!


Filmed and presented in 2.35:1 anamorphic widescreen, it's as crisp and clear as you'd ever want a disc to look. While there's some dodgy CGI, there are moments of special effects that look fantastic such as the plane falling apart in one section.

This is the first Bond to get a two-disc release and it allows the film to benefit from both Dolby Digital 5.1 Surrounx EX and DTS 5.1 ES sound formats. I chose the latter and it's a real workout for your system. From the lasers shooting all over the shop as Jinx is trapped to just about anything that involves an explosion the split-surround effects are to die for. While the film itself is rather lame, the AV experience is demo quality.



"Now I see the light!"


As mentioned above, this is the first two-disc release for a Bond film and the extras are as follows:

There are 36 chapters to the film, so four more than a usual major MGM release, subtitles in English for the hard of hearing and Dutch, plus exceptional menus which have short amounts of animation and sound repeating over and over, all in keeping with the theme of the film.


FILM CONTENT
PICTURE QUALITY
SOUND QUALITY
EXTRAS



OVERALL

Review copyright © Dominic Robinson, 2003.

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