Extras:
Conception featurette with optional Enhanced Viewing Mode, ADI (Special Effects) Workshop,
Storyboard Gallery, Concept Art Gallery, The Making of AvP with optional Enhanced Viewing Mode,
Miniature Whaling Station, Facehuggers and Eggs, Trouble at the Mouth of the Tunnel,
Visual Effects Breakdown, Deleted Scenes with optional director's commentary,
Alien vs Predator: The Comic Book, Monsters in Miniature by Todd McFarlane,
HBO Special, Theatrical Teaser, Theatrical Trailer
Director:
Paul W.S. Anderson
(Alien Vs Predator, Deathrace 3000, Event Horizon, Man with the Football, Mortal Kombat, Resident Evil, Shopping, Soldier, TV: The Sight)
Producers:
Gordon Carroll, John Davis, David Giler and Walter Hill
Screenplay:
Paul W.S. Anderson
Music :
Harald Kloser
Cast :
Alexa Woods: Sanaa Lathan
Sebastian de Rosa: Raoul Bova
Charles Bishop Weyland: Lance Henriksen
Graeme Miller: Ewen Bremner
Maxwell Stafford: Colin Salmon
Mark Verheiden: Tommy Flanagan
Joe Connors: Joseph Rye
Adele Rousseau: Agathe De La Boulaye
Scar: Ian Whyte
After all the hype, and the crap cinema reviews, I thought Alien Vs Predator
was going to be total rubbish, but it turned out to be hugely enjoyable.
As the film begins, we learn that the Predators last appeared 100 years ago in the Antarctic and now have
returned. Heading into the present day, we learn there's a pyramid, exhibiting Aztec, Egyptian and Cambodian
symbols, thus is thought to be the first-ever one built, and which emitted a heat bloom and needed exploring.
But how did the Predators and Aliens meet? And why do they let themselves occupy the same territory? It's
explained about an hour in, but don't expect it to make sense in context with the individual-series movies.
By the time the team, made up of Alexa Woods (Sanaa Lathan in the feisty
Sigourney Weaver role, equipping herself well here), explorer Sebastian de Rosa (Raoul Bova, looking
like he's in need of a shaver advert to appear in), Doctor Graeme Miller (Ewen Bremner) and the man
who'll appear 150 years later in
Aliens: Special Edition,
Charles Bishop Weyland (Lance Henriksen), here with the name Weyland used all the time and not
Bishop, as he was known in James Cameron's 1986 actioner, are done for the day they've located the secret
room beneath the sacrificial chamber and taken some priceless artefacts that look like futuristic weapons,
instead of returning to base for some well-earned shut eye, they're locked in tight and about to become
food for the enemy.
As the cast are sacrificed one by one, soon there won't be any left until... the aliens and predators meet,
and then it's an all-out battle for two more well-matched opponents, who start off fighting each other
like a WWE match.
The two enemies meet face to face. At least, I think it's a face.
The movie has a nice style as the alien eggs are introduced in the sacrificial chamber, as the camera
spins round the room to reveal them one by one. There's still the requisite amount of shock, but not much
blood spilled as seems to be the case with post-9/11 Hollywood action flicks, but don't let that put you
off as while Alien was an X, and then an 18-cert, the director's cut has since been reclassified as a 15 too.
In addition, I can't recall any, if many, saying 'fuck' in this, either, apart from a muted 'motherfucker',
the second part of the word silenced by a gunshot.
As an action entry to the Alien and Predator franchises, with the proper audio/visual setup, it's bloody
fantastic. When the war is won, by one side, and the number of humans is rapidly depleted, you just know
there's going to be one more of the other side to kick it off again for a final showdown. Plus, the
obligatory cliffhanger which signifies a sequel that I hope comes soon as we're always kept waiting for
further entries in these sagas. Oh, and the underside of the alien spawn looks like a woman's lower bits :)
When you put disc one in your DVD player, you get the choice of the regular version or the extended one.
The latter is lengthened by around a minute, which is a pre-opening credit flashback of how everything kicked
off in Antarctica 100 years before. I can't think why that was left out of the theatrical version because
it makes for a great little set-up before we head for the present day.
"Just because you're bigger than me, you're not taking my boomerang!"
Presented in 2.35:1 anamorphic widescreen, the print looks mostly fantastic, although there are a few
scenes that don't look quite as sharp as they could be. Soundwise, I went for DTS 5.1 and it was outstanding!
From the predators touching down in their own unique style, their 'command centre' coming to life with the
fancy hieroglyphics, the Alien Queen thawing out - shortly after our heroes enter the pyramid, the pyramid
changing shape to just about any explosion you can lend an ear.
If you're watching this on anything less than a DTS 5.1 setup, or cropped to 16:9 or 4:3 on TV in years to come,
despite being filmed with the Super 35 process as that'll only allow a decent 4:3 print to be struck for
the non-CGI scenes which are very few and far between, you really won't get the benefit. The deleted/extended
scenes are opened up to 16:9 for non-CGI work, for example, but you can tell the CGI stuff is cropped.
Quite simply, if you want a great demo disc, buy this!
Not quite the Easter treat he thought it was.
The following lists the extras on the second disc, in addition to the commentaries on disc one (one from
Paul WS Anderson, Lance Henriksen & Sanaa Latham, the other from the SFX team of Alec Gillis, Tom Woodruff
& John Bruno), but bear in mind the 2-disc edition is only really worth it if you want to study how the
effects were done in detail as a lot of it is the type of featurettes that you'll watch once and never
go back to. The supplements are split into five sections:
Pre-production :
First up is Conception (26 mins) - once there were Alien movies, then Predator movies,
then the comics that mix the two together. Director Paul Anderson and producer John Davis enthuse about why
they like the pairing, before showing us some model designs, and how this movie is set after the Predator
outings and before the Alien ones. Alas, the interviews include camera cuts between different angles like
a meeja student's been let loose on it; ADI Workshop (7 mins) shows the costumes and how alien babies like
to walk about; there's pictures aplenty to delve into with the Storyboard Gallery and Concept Art
Gallery all of which can be stepped through; and finally the enhanced version of 'Conception' which
uses seamless branching to show other small items about the filmmaking process for those who want more info.
Production : The Making of AVP (59 mins)
goes on-set with film clips and back-patting interview snippets from key cast and crew members, and how an
abandoned sugar factory in Prague Prague doubled for Antarctica. Both this and the 'Conception' docs have NO
chapters to break them up. Why not? It's not difficult, and it's bloody annoying to have to fast-forward
through if you can't watch it all in one go; Miniature Whaling Station (5 mins) tells us what happens to said station
plus more about the other buildings in general, and how miniatures can be pretty big; Facehuggers and Eggs
(15 mins) tells us what goes on in the Sacrificial Chamber with one crew member putting his hand into an egg
to re-set the creature. I wouldn't touch it!; Trouble at the Mouth of the Tunnel (4 mins) deals with
the problems of escaping from the underground towards the end of the movie, such as a fire breaking out on set;
and finally, an enhanced version of 'The Making of AVP' as mentioned in Pre-production.
Post-production :
Visual Effects Breakdown (30 mins) goes into the CGI used throughout the film, which is required at
times even though the miniatures do a great job the rest of the time. Examples include the facehuggers, the
Piper Maru ship, the Alien Queen and the final fight. 11 Deleted Scenes (9 mins) which are more like
extended ones but prove there's nothing major missing from the final cut.
Licensing the Franchise :
Two featurettes here about its history. Aliens Vs Predator: The Comic Book (11½ mins)
sees chat come from Dark Horse Comics' Mike Richardson (publisher), Randy Stradley (Editor/Writer) and
Chris Warner (Editor/Artist); Monsters in Miniature with Todd McFarlane (13½ mins) does
exactly what it says on the tin as the man discusses what he's best at.
Marketing : An HBO Special (13 mins) in 4:3 with 16:9 letterbox clips, while pretty
much all of the above featurettes are in 16:9 anamorphic with film clips in their original ratio,
this is the kind of fluff that clogs up ITV Saturday afternoon schedules as all the main cast and crew
say what a challenge it was; a Theatrical Teaser (1 mins) glimpses at close-ups of both sides
of the debate, while the Theatrical Trailer (2 mins) shows us snippets of the movie we've just seen.
Disc one also features brief 'Inside Look' featurettes to Hide and Seek, Elektra and Robots,
but I skipped through these as the first disc bombarded me with shitloads of annoying trailers that I had
to get past. Come on, Fox, this is what's expected of old rental VHS tapes. Do like other companies, such
as Columbia, and stick these in a 'Trailers' section!
The menus are neat with brief, subtle animation and sound, there are subtitles in English for the hard of hearing,
French, Italian, German, Spanish and Dutch and a decent number of chapters: 28.
DVDs reviewed by the editor are watched on a Panasonic TXW32R4 32" widescreen TV
connected to either a Creative Dxr2 DVD-ROM player or Microsoft Xbox and
played through a Sony STR-DB930 amplifier.
PC games reviewed by the editor are on:
Since Nov 2005: Intel Pentium D 830 3.0Ghz, 1Gb RAM, 128Mb nVidia GeForce 6700XL, Windows XP
Since Aug 2003: Intel Pentium 4 2.66Ghz, 512Mb RAM, 128Mb GeForce4 MX440 graphics, Windows XP
Since May 2003: Intel Pentium 4 2.6Ghz, 512Mb RAM, 128Mb ATI Radeon 9600TX graphics, Windows XP
Since Jun 2002: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, 64Mb ATI Radeon 8500LE
Since May 2000: Intel Pentium III 600Mhz, 384Mb RAM, Windows 98 SE, Voodoo 3 3000 AGP
